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Saturday 01 November 2025 00:36:59 GMT

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Some notes taken during for exhibition review: Desired invisibility- very dark forest Hoodie and portraits hmm - portraiture with no edits Lorna Simpson double negative - doubling that earlier portraiture work - same title as the land art Heizer piece - “rückenfigur” turning away - thinking of this positionality while I look and read the texts and my hair I just dyed… watching watching watching These alcoves.. the central camera hanging from the rotunda… looking at our backs, suspended, as we are. The alcoves and architecture rolling down past like a marble is most natural. Gravity I guess. And I can’t get past this crowd. So many white people - some Asian ppl, and like all the people of color are working here The monochrome black and the glass being mirrors - seen in so many things behind glass idk if this thread is too baby but the cover of darkness as necessity for Underground Railroad is mentioned in the Dawoud Bey text This hoodie like materially so bereft from the texts sort of.. but it’s meeting. Hoodie as material for enclosure - cut off like Black experience That cut hoodie is both veil and possible violent garment This transcription is weird. I might get tired Lyle Ashton Harris chocolate portraits apparently are supposed to speak to a fluidity of identity through these extensive genealogical portraits But on view they’re less.. going to this point but I do like the pairing of back and front portraits . It makes me think of what makes us who we are, our faces? Our features, how we approach and communicate with the world - I can’t capture this feeling anymore John Edmonds feels too fashion B. 1989 bey- why these three? Water as mirror, as raucous Black Atlantic sea? Sondra Perry videos - embracing visibility - interesting that this is the first projected work / work where light is present (besides the flash ones) since the beginning greens. I love the dancing. “Can’t fully escape visibility” Something about being seen and adjusting to that by Adrienne maree brown Maybe I’m taking too many photos Stephanie Syjuco. Block out Reminds me of archival book work where the gloved hands are seen. Paul Soullelis put together a book about this I think. The veil… stunning! A little odd after the photoshop connection David Hammon bringing body prints! Perry again and Syjuco. The body fragmented. I need to look at the artwork dates woops John Edmonds photographs are the darkest of the work yet I feel. Barely perceptible - this tension is interesting. Which works show no one at all? The hoodie absent of figure, but there’s wire in the hoodie … More Syjuco! I don’t like the visual element of the work- the green is ugly. I do like how it reminded me of Hito Steyerl. Post production techniques - a fucking didactic film Black square ! Ig blm controversy- underlines complicated need to be visible with the world - ? Visibility is a stretchy term maybe here- like when is visibility not engagement? I guess I’m confusing myself. Visibility is a good term to address this complicated social era where everyone is watching you and vice versa. And this substrate is what our engagement builds off of - how can this then be positioned productively (ew). Review… always has to have a beginning Before it’s here Text as body is fragmented across bodily responses and initial notes on the exhibit There’s a violence in creation Ergh My style is so half baked Develop this little more Im grateful for the weekly practice z maybe skills be real

Some notes taken during for exhibition review: Desired invisibility- very dark forest Hoodie and portraits hmm - portraiture with no edits Lorna Simpson double negative - doubling that earlier portraiture work - same title as the land art Heizer piece - “rückenfigur” turning away - thinking of this positionality while I look and read the texts and my hair I just dyed… watching watching watching These alcoves.. the central camera hanging from the rotunda… looking at our backs, suspended, as we are. The alcoves and architecture rolling down past like a marble is most natural. Gravity I guess. And I can’t get past this crowd. So many white people - some Asian ppl, and like all the people of color are working here The monochrome black and the glass being mirrors - seen in so many things behind glass idk if this thread is too baby but the cover of darkness as necessity for Underground Railroad is mentioned in the Dawoud Bey text This hoodie like materially so bereft from the texts sort of.. but it’s meeting. Hoodie as material for enclosure - cut off like Black experience That cut hoodie is both veil and possible violent garment This transcription is weird. I might get tired Lyle Ashton Harris chocolate portraits apparently are supposed to speak to a fluidity of identity through these extensive genealogical portraits But on view they’re less.. going to this point but I do like the pairing of back and front portraits . It makes me think of what makes us who we are, our faces? Our features, how we approach and communicate with the world - I can’t capture this feeling anymore John Edmonds feels too fashion B. 1989 bey- why these three? Water as mirror, as raucous Black Atlantic sea? Sondra Perry videos - embracing visibility - interesting that this is the first projected work / work where light is present (besides the flash ones) since the beginning greens. I love the dancing. “Can’t fully escape visibility” Something about being seen and adjusting to that by Adrienne maree brown Maybe I’m taking too many photos Stephanie Syjuco. Block out Reminds me of archival book work where the gloved hands are seen. Paul Soullelis put together a book about this I think. The veil… stunning! A little odd after the photoshop connection David Hammon bringing body prints! Perry again and Syjuco. The body fragmented. I need to look at the artwork dates woops John Edmonds photographs are the darkest of the work yet I feel. Barely perceptible - this tension is interesting. Which works show no one at all? The hoodie absent of figure, but there’s wire in the hoodie … More Syjuco! I don’t like the visual element of the work- the green is ugly. I do like how it reminded me of Hito Steyerl. Post production techniques - a fucking didactic film Black square ! Ig blm controversy- underlines complicated need to be visible with the world - ? Visibility is a stretchy term maybe here- like when is visibility not engagement? I guess I’m confusing myself. Visibility is a good term to address this complicated social era where everyone is watching you and vice versa. And this substrate is what our engagement builds off of - how can this then be positioned productively (ew). Review… always has to have a beginning Before it’s here Text as body is fragmented across bodily responses and initial notes on the exhibit There’s a violence in creation Ergh My style is so half baked Develop this little more Im grateful for the weekly practice z maybe skills be real

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