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Wednesday 27 November 2019 01:51:02 GMT
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8. The Veiled Virgin, Strazza, ~1856 Since the Ancient Greeks, artists showed off their skill by depicting clothes gripping the body. But only the most brilliant sculptors could depict likeness and emotion through a veil. 7. Modesty, Corradini, 1752 The transparent veil technique was pioneered a century earlier by Corradini. Imagine the skill required to make the veil grip and hang from the body, as if they were flesh and cloth.  6. Release from Deception, Queirolo, 1759 Imagine carving a net out of stone! Well Queirolo spent 7 years doing just that for this statue of a fisherman being released from a net by an angel. The masterpiece was carved from a SINGLE piece of marble. 5. St Bartholomew Flayed, d’Agrate, 1562 This macabre statue towers over the interior of Milan’s Duomo. It represents St Bartholomew, who was skinned alive for spreading the Gospel. You can see his muscle and body tissue revealed. That’s not a cloak draped over his shoulders, but his own skin - see the gory foot in the second picture.  4. Udine Rising from the Waters, Ives, 1884 In the 19th century, Romanticism revived the popularity of medieval romances. Here, Udine - a water spirit - falls in love with a human knight. But when he’s unfaithful, she emerges from the water to take his life. See how the veil clings to her as if it’s soaking wet. 3. The Abduction of Proserpina, Bernini, 1622 Bernini was the master of Italian Baroque sculpture, and he made this when he was just 23. Just look at the realistic way his hand presses her thigh as if it were real flesh - incredible detail! 2. Veiled Christ, Sanmartino, 1753 Sansevero’s masterpiece of the dead Christ covered by a shroud was so good people doubted its authenticity. For over 250 years, a legend was believed that the shroud was originally a real cloth, transformed into marble through alchemy. 1. Veiled Woman, Lombardi, 1869 Lombardi was part of the 19th century Romantic realism school who often depicted the veiled woman, harking back to Corradini (No 7). #ArtHistory #HistoryofArt #sculpture #art #statue #baroque #fyp
8. The Veiled Virgin, Strazza, ~1856 Since the Ancient Greeks, artists showed off their skill by depicting clothes gripping the body. But only the most brilliant sculptors could depict likeness and emotion through a veil. 7. Modesty, Corradini, 1752 The transparent veil technique was pioneered a century earlier by Corradini. Imagine the skill required to make the veil grip and hang from the body, as if they were flesh and cloth. 6. Release from Deception, Queirolo, 1759 Imagine carving a net out of stone! Well Queirolo spent 7 years doing just that for this statue of a fisherman being released from a net by an angel. The masterpiece was carved from a SINGLE piece of marble. 5. St Bartholomew Flayed, d’Agrate, 1562 This macabre statue towers over the interior of Milan’s Duomo. It represents St Bartholomew, who was skinned alive for spreading the Gospel. You can see his muscle and body tissue revealed. That’s not a cloak draped over his shoulders, but his own skin - see the gory foot in the second picture. 4. Udine Rising from the Waters, Ives, 1884 In the 19th century, Romanticism revived the popularity of medieval romances. Here, Udine - a water spirit - falls in love with a human knight. But when he’s unfaithful, she emerges from the water to take his life. See how the veil clings to her as if it’s soaking wet. 3. The Abduction of Proserpina, Bernini, 1622 Bernini was the master of Italian Baroque sculpture, and he made this when he was just 23. Just look at the realistic way his hand presses her thigh as if it were real flesh - incredible detail! 2. Veiled Christ, Sanmartino, 1753 Sansevero’s masterpiece of the dead Christ covered by a shroud was so good people doubted its authenticity. For over 250 years, a legend was believed that the shroud was originally a real cloth, transformed into marble through alchemy. 1. Veiled Woman, Lombardi, 1869 Lombardi was part of the 19th century Romantic realism school who often depicted the veiled woman, harking back to Corradini (No 7). #ArtHistory #HistoryofArt #sculpture #art #statue #baroque #fyp

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