@lalakanza_21: #fyp

lalakanza_21
lalakanza_21
Open In TikTok:
Region: ID
Thursday 08 September 2022 16:05:19 GMT
7265
253
6
7

Music

Download

Comments

justforfunreal
Vhany :
barbie hidup
2022-09-11 13:28:44
1
goldintosoeratno
brother GOLD :
🥰😍
2022-09-09 02:10:22
0
arjunatea04
junkis_368 :
aseeeel
2022-09-09 08:34:16
0
budiaraja1980
Budiaraja :
cantikya
2022-09-09 09:02:16
0
niia_apriliaaaa.coy
🌺🐸momonon🐸🌺 :
🥰🥰🥰
2022-09-09 17:30:13
0
awdeyyyyy
Piupiu🔫💞 :
pengen bajunya🤭
2022-10-08 10:24:36
0
To see more videos from user @lalakanza_21, please go to the Tikwm homepage.

Other Videos

The Nyau dancers are central to Chewa culture and play a leading role in the Kulamba Ceremony. They are members of a secretive society known as the Nyau brotherhood, which functions both as a spiritual institution and a form of social governance. To the Chewa, these dancers are not seen as ordinary men but as temporary embodiments of spirits—ancestral, animalistic, or even representations of abstract ideas. When they step into their costumes and masks, they cross into another identity, no longer themselves but messengers from the spirit world. The dancing itself is highly symbolic. Nyau performers use vigorous, often acrobatic movements, stamping rhythms, and sudden gestures that match the intensity of drumbeats and chants from the community. Each dancer has a unique style depending on the character they embody: for example, the Njobvu (elephant) moves with slow, heavy steps to symbolize power and leadership, while smaller animal figures like antelopes or birds move quickly and lightly to reflect agility. Some characters are comical, mocking human behaviors like greed or laziness, while others are terrifying, meant to remind people of death and the authority of the ancestors. The costumes are just as important as the movements. They are made from a mix of natural and modern materials—bark, grass, animal skins, rags, beads, and even plastics—depending on the message the dancer wants to convey. Masks (zikomo) may represent animals, spirits, or exaggerated human faces, with some towering over the dancers in height. These disguises conceal identity completely, reinforcing the belief that the figure is no longer human but something otherworldly. At night, when the dances are performed by firelight, the masks and costumes appear even more haunting, turning the dance into a living drama of morality, spirituality, and community memory.
The Nyau dancers are central to Chewa culture and play a leading role in the Kulamba Ceremony. They are members of a secretive society known as the Nyau brotherhood, which functions both as a spiritual institution and a form of social governance. To the Chewa, these dancers are not seen as ordinary men but as temporary embodiments of spirits—ancestral, animalistic, or even representations of abstract ideas. When they step into their costumes and masks, they cross into another identity, no longer themselves but messengers from the spirit world. The dancing itself is highly symbolic. Nyau performers use vigorous, often acrobatic movements, stamping rhythms, and sudden gestures that match the intensity of drumbeats and chants from the community. Each dancer has a unique style depending on the character they embody: for example, the Njobvu (elephant) moves with slow, heavy steps to symbolize power and leadership, while smaller animal figures like antelopes or birds move quickly and lightly to reflect agility. Some characters are comical, mocking human behaviors like greed or laziness, while others are terrifying, meant to remind people of death and the authority of the ancestors. The costumes are just as important as the movements. They are made from a mix of natural and modern materials—bark, grass, animal skins, rags, beads, and even plastics—depending on the message the dancer wants to convey. Masks (zikomo) may represent animals, spirits, or exaggerated human faces, with some towering over the dancers in height. These disguises conceal identity completely, reinforcing the belief that the figure is no longer human but something otherworldly. At night, when the dances are performed by firelight, the masks and costumes appear even more haunting, turning the dance into a living drama of morality, spirituality, and community memory.

About