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@brisapereyra65: #paratii

Brisa Pereyra
Brisa Pereyra
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Tuesday 14 March 2023 22:41:19 GMT
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Malice Mizer interview on HOT WAVE (1996) In this rare 1996 appearance on HOT WAVE, Malice Mizer gave fans a fascinating behind-the-scenes look at their art-rock vision, with Mana emerging as a quiet yet potent presence. Interview Highlights & Themes • When asked to introduce himself, Mana briefly gave his name and role — but then spent much of the segment whispering to vocalist Gackt’s ear, showing his characteristic reserve and the subtle theatricality he favours. • The band discussed their first experiences performing overseas — particularly in France and Germany. Mana noted that French fans often knew their Japanese lyrics word-for-word, which moved him deeply: “We sing in Japanese … it was moving to see people who were still mouthing the words along with us.” • On the topic of aesthetics, Mana explained how the band’s stage imagery and fashion aren’t just decoration — they’re framework for the emotional world they’re building: “The image is of a sanctuary rising in the fathomless darkness.” • The interview also touched on domestic and international fan culture, fan letters, and how the band perceives their live shows as an exchange: not just sending out music, but receiving energy from the crowd. Yu~ki remarked: “We’re searching for something beyond the greatest pleasure or feeling … joy, anger, sorrow, and pleasure.” Why It’s Significant This interview captures Malice Mizer on the cusp of major evolution — the Voyage sans retour era had just passed, and the aesthetic they would later refine with merveilles was beginning to crystallise. The tone is reflective, ambitious, and slightly enigmatic, which mirrors the band’s output: rich in concept, rich in theatricality. For fans of visual-kei or theatrical rock, this clip offers insight into how the band viewed themselves: as more than musicians, but world-builders. 1996年のテレビ番組「HOT WAVE」でのMalice Mizerのインタビューは、彼らの美学と野望が垣間見える貴重な映像です。特にギタリスト／プロデューサーのManaは控えめながらも存在感を放っています。 インタビューのポイントとテーマ • Manaが自己紹介で名乗ると、その後はGacktの耳元で囁くような場面が続き、彼の“静かな演出”が印象的です。 • 海外公演の話では、特にフランス・ドイツのファンが日本語の歌詞を完璧に覚えていたことに、Manaは深く感動していました。「日本語で歌っているのに、一緒に口ずさんでくれていたのが動いた」と語っています。 • ステージ衣装や演出について、Manaは「深き闇の中に浮かび上がる聖域のイメージ」と説明し、単なる装飾ではなく“世界観”の構築であることを明かしています。 • また、ファンレターやライブでのファンとのやり取りについても言及。「ステージは一方向じゃなく、波を送って、戻ってくる」といった言葉から、彼らのライブを“対話”として捉える姿が見えます。 意義と見どころ このインタビューは、Malice Mizer が大きく進化を遂げる直前の時期を捉えています。ヴィジュアル系の枠を超えて、音楽・演出・衣装・空間すべてを統合した“世界”を提示しようとする姿勢が伝わってきます。視聴者にとっては、ただのバンドではなく“物語を紡ぐチーム”としての姿が見える映像です。 Source of the video: @syugaming (YouTube) #vkei #jrock #visualkei #malicemizer #japaneserock
Malice Mizer interview on HOT WAVE (1996) In this rare 1996 appearance on HOT WAVE, Malice Mizer gave fans a fascinating behind-the-scenes look at their art-rock vision, with Mana emerging as a quiet yet potent presence. Interview Highlights & Themes • When asked to introduce himself, Mana briefly gave his name and role — but then spent much of the segment whispering to vocalist Gackt’s ear, showing his characteristic reserve and the subtle theatricality he favours. • The band discussed their first experiences performing overseas — particularly in France and Germany. Mana noted that French fans often knew their Japanese lyrics word-for-word, which moved him deeply: “We sing in Japanese … it was moving to see people who were still mouthing the words along with us.” • On the topic of aesthetics, Mana explained how the band’s stage imagery and fashion aren’t just decoration — they’re framework for the emotional world they’re building: “The image is of a sanctuary rising in the fathomless darkness.” • The interview also touched on domestic and international fan culture, fan letters, and how the band perceives their live shows as an exchange: not just sending out music, but receiving energy from the crowd. Yu~ki remarked: “We’re searching for something beyond the greatest pleasure or feeling … joy, anger, sorrow, and pleasure.” Why It’s Significant This interview captures Malice Mizer on the cusp of major evolution — the Voyage sans retour era had just passed, and the aesthetic they would later refine with merveilles was beginning to crystallise. The tone is reflective, ambitious, and slightly enigmatic, which mirrors the band’s output: rich in concept, rich in theatricality. For fans of visual-kei or theatrical rock, this clip offers insight into how the band viewed themselves: as more than musicians, but world-builders. 1996年のテレビ番組「HOT WAVE」でのMalice Mizerのインタビューは、彼らの美学と野望が垣間見える貴重な映像です。特にギタリスト／プロデューサーのManaは控えめながらも存在感を放っています。 インタビューのポイントとテーマ • Manaが自己紹介で名乗ると、その後はGacktの耳元で囁くような場面が続き、彼の“静かな演出”が印象的です。 • 海外公演の話では、特にフランス・ドイツのファンが日本語の歌詞を完璧に覚えていたことに、Manaは深く感動していました。「日本語で歌っているのに、一緒に口ずさんでくれていたのが動いた」と語っています。 • ステージ衣装や演出について、Manaは「深き闇の中に浮かび上がる聖域のイメージ」と説明し、単なる装飾ではなく“世界観”の構築であることを明かしています。 • また、ファンレターやライブでのファンとのやり取りについても言及。「ステージは一方向じゃなく、波を送って、戻ってくる」といった言葉から、彼らのライブを“対話”として捉える姿が見えます。 意義と見どころ このインタビューは、Malice Mizer が大きく進化を遂げる直前の時期を捉えています。ヴィジュアル系の枠を超えて、音楽・演出・衣装・空間すべてを統合した“世界”を提示しようとする姿勢が伝わってきます。視聴者にとっては、ただのバンドではなく“物語を紡ぐチーム”としての姿が見える映像です。 Source of the video: @syugaming (YouTube) #vkei #jrock #visualkei #malicemizer #japaneserock
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Laki-laki dengan aktivitas malamnya. #fyp #tambangbatubara #bismillahfyp #tambangbatubarakalimantan #tambang
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