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@divanbesterfitness: Sprints on the beach ⛱️ One on one personal training in Kleinbrak #kleinbrakriver #mosselbay #sprints #personaltrainersouthafrica #fitessinspo #southafrican #Running

divan bester fitness
divan bester fitness
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Tuesday 31 October 2023 16:07:16 GMT
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celestebester
Celeste Bester372 :
Eks so lucky 😍 🥰 well done
2023-10-31 18:11:49
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divanbesterfitness
divan bester fitness :
🥰
2023-11-02 10:29:07
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bismillah.. #malang24jam #kuli #taichung_taiwan🇹🇼
bismillah.. #malang24jam #kuli #taichung_taiwan🇹🇼
Something to just throw on #OOTD #workfit
Something to just throw on #OOTD #workfit
“Mad World” was one of the first songs that really defined Tears for Fears’ sound — dark, emotional, and deeply introspective. It was written by Roland Orzabal and sung by Curt Smith, and it became their first hit single, released in 1982 on their debut album The Hurting. Here’s the story of how it came to be: ⸻ 🌧️ The Inspiration Roland Orzabal wrote Mad World when he was just 19 years old. At the time, he was heavily inspired by the idea of exploring the human psyche — something that became central to Tears for Fears’ identity. The band’s name itself came from the work of psychologist Arthur Janov, who developed primal therapy, focusing on repressed pain and emotional release. Orzabal wanted to write songs that tapped into the collective anxiety and alienation people felt in modern society — especially among young people in Thatcher-era Britain. The song reflects a sense of emotional detachment, confusion, and melancholy, summed up perfectly in lines like: “The dreams in which I’m dying are the best I’ve ever had.” That lyric, he later explained, wasn’t meant to be morbid — it was about the intensity of dreams compared to the numbness of waking life. ⸻ 🎹 The Writing & Sound Orzabal originally conceived Mad World as a slower, almost folk-like tune. But once they began recording it with producer Chris Hughes, they reshaped it into an energetic synth-pop song — with a strong drum machine beat and shimmering keyboards that captured the early ’80s new wave sound. Curt Smith ended up singing lead because his softer, more detached voice fit the mood perfectly. Orzabal said Smith’s delivery gave the song the kind of haunting, matter-of-fact tone it needed. ⸻ 💿 Release and Impact When Mad World was released in September 1982, it became a surprise hit — reaching no. 3 on the UK Singles Chart and establishing Tears for Fears as a major act. Critics praised its blend of catchy melody and emotional depth — it was pop music with a psychological edge. ⸻ 🕯️ Legacy The song gained new life in 2001, when Gary Jules and Michael Andrews recorded a slow, stripped-down version for the film Donnie Darko. That haunting cover introduced Mad World to a new generation — and, in fact, topped the UK charts at Christmas that year. Orzabal later said he loved that version because it captured the sadness and isolation that he had felt when writing it, in a way the original’s upbeat production didn’t fully show… #tearsforfears #80s #guitar #music #group7
“Mad World” was one of the first songs that really defined Tears for Fears’ sound — dark, emotional, and deeply introspective. It was written by Roland Orzabal and sung by Curt Smith, and it became their first hit single, released in 1982 on their debut album The Hurting. Here’s the story of how it came to be: ⸻ 🌧️ The Inspiration Roland Orzabal wrote Mad World when he was just 19 years old. At the time, he was heavily inspired by the idea of exploring the human psyche — something that became central to Tears for Fears’ identity. The band’s name itself came from the work of psychologist Arthur Janov, who developed primal therapy, focusing on repressed pain and emotional release. Orzabal wanted to write songs that tapped into the collective anxiety and alienation people felt in modern society — especially among young people in Thatcher-era Britain. The song reflects a sense of emotional detachment, confusion, and melancholy, summed up perfectly in lines like: “The dreams in which I’m dying are the best I’ve ever had.” That lyric, he later explained, wasn’t meant to be morbid — it was about the intensity of dreams compared to the numbness of waking life. ⸻ 🎹 The Writing & Sound Orzabal originally conceived Mad World as a slower, almost folk-like tune. But once they began recording it with producer Chris Hughes, they reshaped it into an energetic synth-pop song — with a strong drum machine beat and shimmering keyboards that captured the early ’80s new wave sound. Curt Smith ended up singing lead because his softer, more detached voice fit the mood perfectly. Orzabal said Smith’s delivery gave the song the kind of haunting, matter-of-fact tone it needed. ⸻ 💿 Release and Impact When Mad World was released in September 1982, it became a surprise hit — reaching no. 3 on the UK Singles Chart and establishing Tears for Fears as a major act. Critics praised its blend of catchy melody and emotional depth — it was pop music with a psychological edge. ⸻ 🕯️ Legacy The song gained new life in 2001, when Gary Jules and Michael Andrews recorded a slow, stripped-down version for the film Donnie Darko. That haunting cover introduced Mad World to a new generation — and, in fact, topped the UK charts at Christmas that year. Orzabal later said he loved that version because it captured the sadness and isolation that he had felt when writing it, in a way the original’s upbeat production didn’t fully show… #tearsforfears #80s #guitar #music #group7
You ever get that email that starts out like: “We’re so excited to have you speak… your $7,500 keynote has been approved!” …and then two days later they follow up with: “So our budget ended up being $700.” Yeah. That one hurts. You start questioning everything — “Did I price too high?” “Should I just take it for exposure?” “Maybe I’ll get referrals from this one…” But let’s be honest… that “one” turns into five more free gigs and no real progress. Here’s the truth nobody told us early on: You didn’t lose that deal because of your price — you lost it because of your positioning. 💡 Decision-makers don’t pay for passion. They pay for alignment. Alignment with their goals. Alignment with their budgets. Alignment with their language. The problem? Most speakers are fluent in motivation, but not in money. You can have the best talk, the flashiest flyer, and the dopest website — but if you don’t understand booking cycles, if you don’t know who holds the checkbook, and if you can’t communicate your value in their language, you’ll keep getting “we don’t have the budget” emails from people who actually do. Here’s the part that changed everything for me (and my clients): Once you understand how the booking cycle works — when budgets open, who approves them, and how to tie your talk to a funded initiative — you stop chasing gigs and start getting chosen. Because the truth is… Budgets don’t disappear. They just don’t have a line item for vague value. So if you’re tired of the emotional rollercoaster of “almost-booked” gigs… If you’re ready to stop praying for contracts and start planning for them — you need to master the language of the people who write the checks. That’s exactly what I break down inside The Speaker Playbook 🗣️ ✅ When to reach out (booking cycles) ✅ How to position your offer to fit within existing budgets ✅ How to communicate your value so $700 becomes $7,500 Because great speakers get applause… But strategic speakers get paid. 🎯 DM me PLAYBOOK or drop “PLAYBOOK” in the comments — and I’ll show you exactly how to turn those “we wish we could” emails into “where do we send the deposit?” #PREACHWILL #motivationalspeaker inspired by @Main Motivates
You ever get that email that starts out like: “We’re so excited to have you speak… your $7,500 keynote has been approved!” …and then two days later they follow up with: “So our budget ended up being $700.” Yeah. That one hurts. You start questioning everything — “Did I price too high?” “Should I just take it for exposure?” “Maybe I’ll get referrals from this one…” But let’s be honest… that “one” turns into five more free gigs and no real progress. Here’s the truth nobody told us early on: You didn’t lose that deal because of your price — you lost it because of your positioning. 💡 Decision-makers don’t pay for passion. They pay for alignment. Alignment with their goals. Alignment with their budgets. Alignment with their language. The problem? Most speakers are fluent in motivation, but not in money. You can have the best talk, the flashiest flyer, and the dopest website — but if you don’t understand booking cycles, if you don’t know who holds the checkbook, and if you can’t communicate your value in their language, you’ll keep getting “we don’t have the budget” emails from people who actually do. Here’s the part that changed everything for me (and my clients): Once you understand how the booking cycle works — when budgets open, who approves them, and how to tie your talk to a funded initiative — you stop chasing gigs and start getting chosen. Because the truth is… Budgets don’t disappear. They just don’t have a line item for vague value. So if you’re tired of the emotional rollercoaster of “almost-booked” gigs… If you’re ready to stop praying for contracts and start planning for them — you need to master the language of the people who write the checks. That’s exactly what I break down inside The Speaker Playbook 🗣️ ✅ When to reach out (booking cycles) ✅ How to position your offer to fit within existing budgets ✅ How to communicate your value so $700 becomes $7,500 Because great speakers get applause… But strategic speakers get paid. 🎯 DM me PLAYBOOK or drop “PLAYBOOK” in the comments — and I’ll show you exactly how to turn those “we wish we could” emails into “where do we send the deposit?” #PREACHWILL #motivationalspeaker inspired by @Main Motivates
Tudung Bawal Silau yang mudah dibentuk dan best dipakai! #bawal #tudung #datoaliffsyukri #hijab #tudungbawal
Tudung Bawal Silau yang mudah dibentuk dan best dipakai! #bawal #tudung #datoaliffsyukri #hijab #tudungbawal
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