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@royalfamilychannel: #queencamilla gets caught in a toy #tugofwar handshake with an adorable three-year-old! 🦖 #royalfamily #fyp #foryou #london #lambeth #cute

The Royal Family Channel
The Royal Family Channel
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Region: GB
Thursday 07 December 2023 18:15:41 GMT
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Comments

nocnoc1082
nocnoc1082 :
SO SWEET 😂
2023-12-07 18:34:11
3
winjer202
user8006419687375 :
Aww that’s so cute ❤️
2023-12-10 00:51:30
2
christinewilliam36
Christine Williams :
Camilla is lovely❤️❤️👏👏
2024-02-13 17:02:47
0
patrickvaughant
Patrick Vaughan :
🥰
2024-03-04 23:41:00
0
susandagenhart
Susan Dagenhart :
😁😁😁😁
2023-12-11 04:46:18
0
danieladantoni2
Daniela D’antoni :
She no queen.
2023-12-14 08:00:51
9
razwanamushtaq
razwanamushtaq :
Really good quality new
2023-12-07 18:21:01
1
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Marhaba Dawle (مرحبا دولة), which translates to Hello State, is a bold Lebanese comedy series that has stirred both laughter and controversy since its debut. Written and directed by Mohamad Dayekh, the show first aired in early 2024 on LBCI and quickly caught public attention for its daring satire and unfiltered take on Lebanese society. Season 1, produced by Shoot Productions, launched with eight episodes in January 2024, while Season 2, produced by Mad Films, returned in April 2025 with nine new episodes airing weekly. The sitcom is set inside an imagined police station and follows the daily misadventures of security personnel, using humor to explore the often-strained relationship between citizens and the state. Through sharp dialogue and exaggerated scenarios, it sheds light on bureaucracy, corruption, political dysfunction, and social absurdities that every Lebanese can relate to. The cast includes a dynamic ensemble of comedians such as Hussein Kaouk, Hussein Dayekh, Shireen Al-Hajj, Mohammad Abdo, Mehdi Dayekh, and Zulfiqar Yassin, who bring the characters to life with their sharp timing and improvisational energy. From its very first season, Marhaba Dawle became a cultural talking point. Many viewers praised it as one of the most daring comedy shows Lebanon has ever produced. Online, fans described it as “absolutely hilarious” and “a realistic yet satirical depiction of our country,” with some even saying the show feels like it was written for them personally. Its mix of realism and satire allowed it to connect deeply with audiences who saw their frustrations and struggles reflected through humor. But the same boldness that won admiration also drew criticism and official backlash. In January 2024, Lebanon’s Internal Security Forces (ISF) filed a complaint against the show, accusing it of belittling national symbols such as the flag and anthem, and of portraying the institution in a demeaning light. This came after episodes featured uniformed actors and exaggerated dialogues that highlighted inefficiency and misconduct. Later, in May 2025, Marhaba Dawle faced a storm of religious controversy when an episode included a scene of a messianic figure descending from the sky. Both the Catholic Information Center and the Catholic Media Center condemned the show, claiming it mocked the Christian faith, Jesus Christ, and clergy, and demanded warnings, legal action, and stricter oversight. Even before its launch, the series had faced criticism when a promotional sketch involving a police officer and a vulnerable migrant worker was accused of containing racist undertones, drawing attention to Lebanon’s sensitive Kafala labor system. Despite these controversies, or perhaps because of them, Marhaba Dawle has remained one of the most talked-about Lebanese shows of recent years. Its daring humor has sparked nationwide conversations about politics, religion, freedom of expression, and the role of art in challenging authority. Where some see disrespect, others see a mirror being held up to society—a way to laugh at the very institutions and problems that weigh heavily on the daily lives of Lebanese citizens. Ultimately, Marhaba Dawle is more than just a comedy series. It is a piece of satire that pushes boundaries, provokes strong reactions, and refuses to shy away from sensitive topics. By mixing laughter with social critique, it has cemented itself as one of the boldest and most important cultural works to emerge from Lebanon in recent memory. #marhabadawle #fyp #lebanon🇱🇧
Marhaba Dawle (مرحبا دولة), which translates to Hello State, is a bold Lebanese comedy series that has stirred both laughter and controversy since its debut. Written and directed by Mohamad Dayekh, the show first aired in early 2024 on LBCI and quickly caught public attention for its daring satire and unfiltered take on Lebanese society. Season 1, produced by Shoot Productions, launched with eight episodes in January 2024, while Season 2, produced by Mad Films, returned in April 2025 with nine new episodes airing weekly. The sitcom is set inside an imagined police station and follows the daily misadventures of security personnel, using humor to explore the often-strained relationship between citizens and the state. Through sharp dialogue and exaggerated scenarios, it sheds light on bureaucracy, corruption, political dysfunction, and social absurdities that every Lebanese can relate to. The cast includes a dynamic ensemble of comedians such as Hussein Kaouk, Hussein Dayekh, Shireen Al-Hajj, Mohammad Abdo, Mehdi Dayekh, and Zulfiqar Yassin, who bring the characters to life with their sharp timing and improvisational energy. From its very first season, Marhaba Dawle became a cultural talking point. Many viewers praised it as one of the most daring comedy shows Lebanon has ever produced. Online, fans described it as “absolutely hilarious” and “a realistic yet satirical depiction of our country,” with some even saying the show feels like it was written for them personally. Its mix of realism and satire allowed it to connect deeply with audiences who saw their frustrations and struggles reflected through humor. But the same boldness that won admiration also drew criticism and official backlash. In January 2024, Lebanon’s Internal Security Forces (ISF) filed a complaint against the show, accusing it of belittling national symbols such as the flag and anthem, and of portraying the institution in a demeaning light. This came after episodes featured uniformed actors and exaggerated dialogues that highlighted inefficiency and misconduct. Later, in May 2025, Marhaba Dawle faced a storm of religious controversy when an episode included a scene of a messianic figure descending from the sky. Both the Catholic Information Center and the Catholic Media Center condemned the show, claiming it mocked the Christian faith, Jesus Christ, and clergy, and demanded warnings, legal action, and stricter oversight. Even before its launch, the series had faced criticism when a promotional sketch involving a police officer and a vulnerable migrant worker was accused of containing racist undertones, drawing attention to Lebanon’s sensitive Kafala labor system. Despite these controversies, or perhaps because of them, Marhaba Dawle has remained one of the most talked-about Lebanese shows of recent years. Its daring humor has sparked nationwide conversations about politics, religion, freedom of expression, and the role of art in challenging authority. Where some see disrespect, others see a mirror being held up to society—a way to laugh at the very institutions and problems that weigh heavily on the daily lives of Lebanese citizens. Ultimately, Marhaba Dawle is more than just a comedy series. It is a piece of satire that pushes boundaries, provokes strong reactions, and refuses to shy away from sensitive topics. By mixing laughter with social critique, it has cemented itself as one of the boldest and most important cultural works to emerge from Lebanon in recent memory. #marhabadawle #fyp #lebanon🇱🇧
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