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@halitos.pneu
@halitos.pneu
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Friday 31 May 2024 15:42:52 GMT
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I use this type of tuning a lot, although it one of my favorite drums to use for this is the Rogers 14” x 6.5” Aluminum SuperTen snare drum. Let’s get into it.  This tuning is built on a well-tuned snare side head and properly tensioned snare wires.  With that said, the snare side head is very tight. The snare wires have an appropriate amount of tension that is not too tight or loose and allows the snare to breathe and not sound choked!  This process allows the snare drum to have sensitivity and articulation while in this higher tuning.  The batter-side tuning is a little more involved.  For starters, I equally “finger-tighten” the tension rods as tightly as possible until I can’t turn them anymore with the nub of these two drum keys. After the figure-tightening, I use quarter turns to add more tension to the drum.  This technique provides enough tension on the drum head and ensures you hear the shell and drum head working together.  The secret sauce for this process is the drum key technique and drum head choice.  The drum key technique allows me to know where I am tension-wise and know how much more I can go when getting to a desired sound. The @evansdrumheads Heavyweight Dry snare drumhead allows for excellent durability and a compressed attack, but add UV-coating to further increase durability, as well as precision-drilled dry vents to reduce overtones and dampen sustain. Knowing these two factors helps me get this 14” x 6.5” aluminum snare drum tensioned up to the desired sound quickly & efficiently.  What do you think of this snare drum sound? How do you achieve a worship snare sound? Leave a comment. Let’s talk about it! Love you, guys!! Okay. Byeeeee. 🥁🤓❤️ — #testabeatdrums #snaredrum #tuning #process #CapCut
I use this type of tuning a lot, although it one of my favorite drums to use for this is the Rogers 14” x 6.5” Aluminum SuperTen snare drum. Let’s get into it. This tuning is built on a well-tuned snare side head and properly tensioned snare wires. With that said, the snare side head is very tight. The snare wires have an appropriate amount of tension that is not too tight or loose and allows the snare to breathe and not sound choked! This process allows the snare drum to have sensitivity and articulation while in this higher tuning. The batter-side tuning is a little more involved. For starters, I equally “finger-tighten” the tension rods as tightly as possible until I can’t turn them anymore with the nub of these two drum keys. After the figure-tightening, I use quarter turns to add more tension to the drum. This technique provides enough tension on the drum head and ensures you hear the shell and drum head working together. The secret sauce for this process is the drum key technique and drum head choice. The drum key technique allows me to know where I am tension-wise and know how much more I can go when getting to a desired sound. The @evansdrumheads Heavyweight Dry snare drumhead allows for excellent durability and a compressed attack, but add UV-coating to further increase durability, as well as precision-drilled dry vents to reduce overtones and dampen sustain. Knowing these two factors helps me get this 14” x 6.5” aluminum snare drum tensioned up to the desired sound quickly & efficiently. What do you think of this snare drum sound? How do you achieve a worship snare sound? Leave a comment. Let’s talk about it! Love you, guys!! Okay. Byeeeee. 🥁🤓❤️ — #testabeatdrums #snaredrum #tuning #process #CapCut

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