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Saturday 18 January 2025 08:21:53 GMT

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𝐀𝐖𝐈𝐋𝐎 𝐋𝐎𝐍𝐆𝐎𝐌𝐁𝐀 𝐒𝐎𝐋𝐎 𝐂𝐀𝐑𝐄𝐄𝐑 𝟏𝟗𝟗𝟖–𝟐𝟎𝟎𝟎: 𝐂𝐨𝐧𝐭𝐢𝐧𝐞𝐧𝐭-𝐰𝐢𝐝𝐞 𝐬𝐮𝐜𝐜𝐞𝐬𝐬 𝐰𝐢𝐭𝐡 𝐂𝐨𝐮𝐩𝐞́ 𝐁𝐢𝐛𝐚𝐦𝐛𝐚 On 27 October 1998, Longomba debuted his second studio album, Coupé Bibamba. The album was produced by Jip Productions and distributed in multiple formats, such as compact disc and cassette, across several countries, including France, Ivory Coast, and Kenya. Comprising ten tracks, Coupé Bibamba was arranged by Lazare Gamand and Ntoumba Minka, and includes backing and leading vocals by Jocelyne Béroard, Guy-Guy Fall, Tutu Callugi, Abby Surya, Awa Maïga, Lidjo Kwempa, Marilyn Komba, Patricia Aubou, and Alain Mpéla Yoka. Longomba played the drums, with Faustino Ngoita and Ntoumba Minka on bass guitars, and Caien Madoka, Dally Kimoko, and Japonais Maladi on lead guitars. Mavungu Malanda and Zé Luis Nascimento contributed on percussion, and Briscard Kouadio and Japonais Maladi on rhythm guitars. The album's eponymous techno-soukous-infused-single, which featured Jocelyne Béroard, became a massive hit in Africa and Europe, as well as among diaspora communities worldwide, and remains a timeless classic in African music. The song addresses the issue of poverty in Africa. In an interview with the Daily Nation, Longomba expressed that

𝐀𝐖𝐈𝐋𝐎 𝐋𝐎𝐍𝐆𝐎𝐌𝐁𝐀 𝐒𝐎𝐋𝐎 𝐂𝐀𝐑𝐄𝐄𝐑 𝟏𝟗𝟗𝟖–𝟐𝟎𝟎𝟎: 𝐂𝐨𝐧𝐭𝐢𝐧𝐞𝐧𝐭-𝐰𝐢𝐝𝐞 𝐬𝐮𝐜𝐜𝐞𝐬𝐬 𝐰𝐢𝐭𝐡 𝐂𝐨𝐮𝐩𝐞́ 𝐁𝐢𝐛𝐚𝐦𝐛𝐚 On 27 October 1998, Longomba debuted his second studio album, Coupé Bibamba. The album was produced by Jip Productions and distributed in multiple formats, such as compact disc and cassette, across several countries, including France, Ivory Coast, and Kenya. Comprising ten tracks, Coupé Bibamba was arranged by Lazare Gamand and Ntoumba Minka, and includes backing and leading vocals by Jocelyne Béroard, Guy-Guy Fall, Tutu Callugi, Abby Surya, Awa Maïga, Lidjo Kwempa, Marilyn Komba, Patricia Aubou, and Alain Mpéla Yoka. Longomba played the drums, with Faustino Ngoita and Ntoumba Minka on bass guitars, and Caien Madoka, Dally Kimoko, and Japonais Maladi on lead guitars. Mavungu Malanda and Zé Luis Nascimento contributed on percussion, and Briscard Kouadio and Japonais Maladi on rhythm guitars. The album's eponymous techno-soukous-infused-single, which featured Jocelyne Béroard, became a massive hit in Africa and Europe, as well as among diaspora communities worldwide, and remains a timeless classic in African music. The song addresses the issue of poverty in Africa. In an interview with the Daily Nation, Longomba expressed that "Coupé Bibamba" urges young people to pursue education, attend church, and have faith in themselves to combat poverty in Africa. The incorporation of mabanga, a practice where musicians mention an individual's name during a song for a fee, was notable, with the mention directed at Robert Ogwal, also known as Rasta Rob, a prominent radio presenter in the African Great Lakes Region at the time. "Coupé Bibamba" success enabled Longomba to embark on an East African tour in early 1999, with sold-out performances in Tanzania, including shows in Dar es Salaam, Moshi, Arusha, and Mwanza. Due to overwhelming public demand, he extended his stay, and numerous fans were unable to gain entry to his debut show at the Diamond Jubilee Upanga in Dar es Salaam. He then performed in Kenya at the Carnivore in Nairobi before proceeding to Mamba Village in Mombasa and the Kimwa Grand Hotel in Kisumu. "Coupé Bibamba" also augmented Longomba's visibility in West Africa, where it led to interpretations in various native languages, including Yoruba, Igbo and Nigerian Pidgin. As reported by This Day, his music gained substantial recognition in southern Nigeria and swiftly proliferated to the north, where "every verse of the Koran, Hausa children know two lines of Comment tu t'appelle". In 2000, Longomba achieved the unprecedented feat of selling out three consecutive concerts at Lagos National Stadium. He also filled the 22,000-seat Nnamdi Azikiwe Stadium in Enugu, and later the 30,000-seat Jolly Nyame Stadium in Jalingo, in 2003, making him the first Congolese artist to dominate Nigerian airwaves. Longomba's collaboration with Sony Music for the World Tribute to the Funk compilation album for the song's new funk remix titled "Comment Tu T'Appelles", featuring James D-Train Williams, gained popularity among the continent's diaspora in France and the US and was also included in Edenways Records' African Dance Floor compilation album. This led to Longomba's performance at Zénith de Paris alongside Jocelyn Lorette Brown, Oliver Cheatham, Jerome Prister, Imagination and Anita Ward, all of whom were part of World Tribute to the Funk. To be Continued in tomorrow morning post...

Créditos : Litman ....#policiadetransitoperu #policiadetransitoperu #vivelavida

Créditos : Litman ....#policiadetransitoperu #policiadetransitoperu #vivelavida

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