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@monsonflakemedia: Day 1 of finding cinematic shots in everyday life: "Motherhood" Still shots often speak louder than moving shots. #videographer #videography #cinematography #cinematographer #motherhood #motherhoodunfiltered #motherdaughter

Monsonflakemedia
Monsonflakemedia
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Wednesday 29 January 2025 20:29:29 GMT
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Comments

ameliaaflakee
Amelia Flake :
I love being her mom
2025-01-29 20:30:32
1
alliestarks
Allie Starks :
Love this 🥹❤️what camera are you using??? Beautiful quality and editing! 🫶🏼
2025-01-29 21:46:31
1
deb8069
deb :
🥰🥰🥰
2025-01-30 17:05:51
1
kggnm24
O'shea :
✨
2025-07-21 08:06:04
0
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How i draw Nose✍️ #commission #eduardartstudio #drawing #Painting #charcoalpainting #portraitdrawing #eduardvillanuevadestua #fyp #foryou #howtodrawface #drawingtutorial #howtodraw #koronadalcity
Drop your favorite Tyler the creator lyrics down in the comments ⬇️⬇️⬇️#tylerthecreator #estatesale #lyrics #fyp #songs When Tyler, the Creator dropped Call Me If You Get Lost: The Estate Sale in March 2023, it felt less like a deluxe rollout and more like a semi-mystical yard sale — “everything must go,” as if he was clearing out not just unreleased tracks, but entire chapters of his artistic life. He framed it as a collection of songs that didn’t make the original album but that he still really loved. In his own words: “Call Me If You Get Lost was the first album I made with a lot of songs that didn’t make the final cut … Some of those songs I really love … so I’ve decided to put a few of them out.” The rollout was cinematic. The first single, “Dogtooth”, arrived with a video Tyler directed himself, full of opulent, Wes-Anderson-meets-billionaire-boy-club vibes: walking lavish dogs, burning Rolls-Royces, doing stunts. It’s trap meets high art chaos. Then came “Sorry Not Sorry”, the second single. If “Dogtooth” flexed, “Sorry Not Sorry” dug deeper: in the video, past alter egos of Tyler (Wolf, IGOR, etc.) appear on stage, then vanish one by one as Tyler takes control and battles his own Tyler Baudelaire persona. It’s theatrical, vulnerable, dramatic. Once the full project dropped on March 31, 2023, fans got eight new tracks (added to the original album) that felt like a closing movement, or a postscript, rather than a continuation. Musically, The Estate Sale is adventurous: you hear bursts of synth-funk, New Orleans bounce, Southern trap, dreamy guitars, and moody introspection interwoven. Collaborations level up too — A$AP Rocky joins on “Wharf Talk,” Vince Staples on “Stuntman,” and YG shows up on “Boyfriend, Girlfriend.” Lyrically, Tyler uses this “sale” concept to let go. He thanks fans, wrestles with guilt, questions identity, and bids farewell to the “Tyler Baudelaire” era — the extravagant traveler persona he embodied on Call Me If You Get Lost. Critics saw it as a transition, a closing chapter. The Estate Sale didn’t seek to reinvent him (he’s always reinventing), but to let go of what no longer fit, to purge and reset. In other words: “everything must go,” not because it’s dead, but because he’s making room for what comes next. In the end, Tyler treated this deluxe release like a dramatic estate sale: he’s selling off part of the house, decluttering sonic rooms, shedding old skins — but he’s far from moving out. He’s just re-staging for his next act.
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