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@nouhajadix: #الشعب_الصيني_ماله_حل😂😂 #CapCut #nouhaila_jadix #tiktok

Nouhaila jadix
Nouhaila jadix
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Saturday 10 May 2025 13:54:44 GMT
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user4370663891136
user4370663891136 :
Nice Bella 🥰🥰🥰🥰🥰
2025-05-10 16:14:15
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dy817hvjjyb2
عبدالله الورفلي :
🔥🔥🔥
2025-05-10 20:57:22
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v3707v
🇸🇦🇸🇦🇸🇦🇸🇦✌🏻 :
🍁✔️🍁
2025-05-10 14:48:10
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mouadh826
mouadh 826 :
🥰🥰🥰🥰🥰🥰🌹☺️💯❤️
2025-05-10 14:06:53
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adnaneoujdi178
Adnane Oujdi178 :
🥰🥰🥰
2025-05-10 14:03:48
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AULA 4: Como se comportar em um rodízio de shushi, sendo pobre😂😂 Logo mais voltaremos com mais uma aula, do nosso curso de como se comportar em restaurantes, sendo pobre!
AULA 4: Como se comportar em um rodízio de shushi, sendo pobre😂😂 Logo mais voltaremos com mais uma aula, do nosso curso de como se comportar em restaurantes, sendo pobre!
Predator has long been high on my list of “action movies that I wish not just straight dudes would be really into”, because I think its exploration of masculinity, feminity, voyeurism, and gender agency is shockingly sophisticated. I honestly struggle to think of something that gets at this stuff as well. Certainly Rear Window, Peeping Tom, Blue Steel, and others also do it as well, but this movie is just such a fascinating look at it. I have no idea if any of this was intentional or not. Certainly, the themes of “how men bond with each other and can’t communicate using words” comes from a long line of movies exploring that both homosocially and homoerotically. That’ll be the subject of the next video on it. But this feels like a distinctly post-modern work moreso than something from the 40s/50s/60s, as it also speaks so much to the technology and technological access and control that is reflective of how all this stuff expresses itself today, IMO. So, I love this movie. It really is in the Terminator 2 mold of being a perfect action movie—it can of course be enjoyed on its own terms for any of it, but there’s also multiple levels of depth here that exist, I think, the closer you look at it and the more you think about it. The movie is of course: Predator (1987), by John McTiernan And the other stuff I talked about/quoted is: —Ways of Seeing (1972), by John Berger, book —Visual Pleasure and Narrative Cinema (1973), by Laura Mulvey, essay —P(can’t type the word): Men Possessing Women (1981), by Andrea Dworkin —Interview with Patricia White from Criterion edition of “Written on the Wind” (1956), by Douglas Sirk #movietok #filmtok #filmtheory #gender #movieanalysis #movie #movies #lgbt #lgbtq #lgbt🏳️‍🌈 #malegaze #filmmaking #predatormovie #TikTokFilmTVCompetition #tiktokfilmtvcompeition
Predator has long been high on my list of “action movies that I wish not just straight dudes would be really into”, because I think its exploration of masculinity, feminity, voyeurism, and gender agency is shockingly sophisticated. I honestly struggle to think of something that gets at this stuff as well. Certainly Rear Window, Peeping Tom, Blue Steel, and others also do it as well, but this movie is just such a fascinating look at it. I have no idea if any of this was intentional or not. Certainly, the themes of “how men bond with each other and can’t communicate using words” comes from a long line of movies exploring that both homosocially and homoerotically. That’ll be the subject of the next video on it. But this feels like a distinctly post-modern work moreso than something from the 40s/50s/60s, as it also speaks so much to the technology and technological access and control that is reflective of how all this stuff expresses itself today, IMO. So, I love this movie. It really is in the Terminator 2 mold of being a perfect action movie—it can of course be enjoyed on its own terms for any of it, but there’s also multiple levels of depth here that exist, I think, the closer you look at it and the more you think about it. The movie is of course: Predator (1987), by John McTiernan And the other stuff I talked about/quoted is: —Ways of Seeing (1972), by John Berger, book —Visual Pleasure and Narrative Cinema (1973), by Laura Mulvey, essay —P(can’t type the word): Men Possessing Women (1981), by Andrea Dworkin —Interview with Patricia White from Criterion edition of “Written on the Wind” (1956), by Douglas Sirk #movietok #filmtok #filmtheory #gender #movieanalysis #movie #movies #lgbt #lgbtq #lgbt🏳️‍🌈 #malegaze #filmmaking #predatormovie #TikTokFilmTVCompetition #tiktokfilmtvcompeition

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