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Nine years ago today, Gus released Crybaby. His third solo mixtape, Crybaby was made between Pasadena and Long Beach and marked the first project Gus created in person with some of his producers. The spring of 2016, when most of Crybaby was recorded, was an exciting and fulfilling time for Gus. The energy of the songs and the conversations he was having make it clear he felt optimistic about his work and the direction it was taking him. Gus was independent, musically experimental, and beginning to find his footing in Los Angeles alongside the collaborators he was living with. In February 2016, Gus traveled to Tucson to perform for the first time with Schemaposse. He then headed to Denver, where he stayed for about a month, before returning to Pasadena at the end of March. He moved back into 1700 University Drive, where he had first lived in 2014 while attending Glendale Community College. Frequent collaborator Yunggoth, producer Lederrick, and several others stayed with Gus there, creating a vibrant, creative environment. It was at this house that the concept for Crybaby was born and where many of its songs were recorded. On April 10, just over a week after his return to LA, Gus got the word “Crybaby” tattooed above his eye—a permanent reminder to stay grateful. He chose it as the name for his new project, as well as for a song he made on April 28. By that time, Gus had already recorded “Absolute in Doubt,” “Nineteen,” and “Ghost Girl,” and had reached out to artist Nick Everitt for album art. Gus was specific and confident in his vision: a dove with the word “Crybaby” in script, crying “lots of tears.” Nick created the now-iconic artwork overnight. Gus loved it and, on May 2, ordered white t-shirts with the design printed on the front. Just under a week later, Nedarb introduced him to Lil Tracy. That same day, the three of them made “White Tee” and shot a music video in the driveway of 1700 University Drive, filmed by Killstation. Gus sent his mom a photo of him performing in one of the new Crybaby shirts, telling her, “Had a great show last night. I’m having fun and doing good work.” He was proud of what he and his friends were building—and eager to share it with the world. On May 12, Gus asked his mom to book him a flight home. He returned to Long Beach on May 22. That week, he made “Yesterday,” “Lil Jeep,” and “Falling 4 Me.” He recorded at his friend Tyler’s house and mixed the vocals in his own bedroom—just as he had in Pasadena, where the setup included “a cheap mic covered with a sock, a MacBook with a cracked screen, and a red Scarlett audio interface.” Gus was a prolific artist who worked with whatever tools were available. In late May, while finishing Crybaby, he also recorded an EP titled Teen Romance. When Gus flew back to LA on June 9, he had finished ten of the eleven tracks for Crybaby. The next day, June 10, he made the final song—“Skyscrapers” with Cold Hart—and released the mixtape shortly after. Nine years later, Crybaby holds a special place in the hearts of Gus’s fans and those who helped bring it to life. A raw, passionate project, it captures one of the most exciting periods of his career—when he was meeting new friends and experimenting with a new sound against the backdrop of sunny LA.
Nine years ago today, Gus released Crybaby. His third solo mixtape, Crybaby was made between Pasadena and Long Beach and marked the first project Gus created in person with some of his producers. The spring of 2016, when most of Crybaby was recorded, was an exciting and fulfilling time for Gus. The energy of the songs and the conversations he was having make it clear he felt optimistic about his work and the direction it was taking him. Gus was independent, musically experimental, and beginning to find his footing in Los Angeles alongside the collaborators he was living with. In February 2016, Gus traveled to Tucson to perform for the first time with Schemaposse. He then headed to Denver, where he stayed for about a month, before returning to Pasadena at the end of March. He moved back into 1700 University Drive, where he had first lived in 2014 while attending Glendale Community College. Frequent collaborator Yunggoth, producer Lederrick, and several others stayed with Gus there, creating a vibrant, creative environment. It was at this house that the concept for Crybaby was born and where many of its songs were recorded. On April 10, just over a week after his return to LA, Gus got the word “Crybaby” tattooed above his eye—a permanent reminder to stay grateful. He chose it as the name for his new project, as well as for a song he made on April 28. By that time, Gus had already recorded “Absolute in Doubt,” “Nineteen,” and “Ghost Girl,” and had reached out to artist Nick Everitt for album art. Gus was specific and confident in his vision: a dove with the word “Crybaby” in script, crying “lots of tears.” Nick created the now-iconic artwork overnight. Gus loved it and, on May 2, ordered white t-shirts with the design printed on the front. Just under a week later, Nedarb introduced him to Lil Tracy. That same day, the three of them made “White Tee” and shot a music video in the driveway of 1700 University Drive, filmed by Killstation. Gus sent his mom a photo of him performing in one of the new Crybaby shirts, telling her, “Had a great show last night. I’m having fun and doing good work.” He was proud of what he and his friends were building—and eager to share it with the world. On May 12, Gus asked his mom to book him a flight home. He returned to Long Beach on May 22. That week, he made “Yesterday,” “Lil Jeep,” and “Falling 4 Me.” He recorded at his friend Tyler’s house and mixed the vocals in his own bedroom—just as he had in Pasadena, where the setup included “a cheap mic covered with a sock, a MacBook with a cracked screen, and a red Scarlett audio interface.” Gus was a prolific artist who worked with whatever tools were available. In late May, while finishing Crybaby, he also recorded an EP titled Teen Romance. When Gus flew back to LA on June 9, he had finished ten of the eleven tracks for Crybaby. The next day, June 10, he made the final song—“Skyscrapers” with Cold Hart—and released the mixtape shortly after. Nine years later, Crybaby holds a special place in the hearts of Gus’s fans and those who helped bring it to life. A raw, passionate project, it captures one of the most exciting periods of his career—when he was meeting new friends and experimenting with a new sound against the backdrop of sunny LA.

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