trenkekTV
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Wednesday 11 June 2025 10:31:35 GMT
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e :
Somebody gotta turn ts into a actual analog horrorššš
2025-06-12 12:31:18
1232
Eki :
We praised him too much this has to stop
2025-06-11 20:25:45
3
Borāļø :
dont let him know real live exist
2025-06-21 08:50:53
0
David Morales.- :
you can see him slowly unravel ā not just in motion but in meaning. In the first few seconds, thereās a hint of hesitation in his eyes, a slight stiffness in the shoulders. Heās aware of the camera, of the presence of others, of the absurdity of whatās unfolding. But beneath that hesitance is something more primal, something curious. You can tell ā itās not fear. Itās anticipation. Heās not holding back because heās scared, heās holding back because he knows once he lets go, thereās no returning to who he was. Then comes the shift. The second clip. His gaze sharpens. Not outward, but inward ā as though heās beginning to tap into something within himself that had always been dormant. Thereās still restraint, yes, but now itās calculated. Heās not overwhelmed; heās choosing his moment. His expressions are no longer accidental ā theyāre intentional. Each movement has weight. He is not just participating anymore ā heās becoming. And then, the third. This is where the transformation completes itself. There is no more nervous laughter, no more half-measures. His body moves with the kind of confidence that doesnāt ask for permission. His eyes are alive now ā not with uncertainty, but with conviction. He isnāt trying to be funny, or strange, or relatable. Heās just being. Unapologetically. Entirely. He is what he is, and itās beautiful. Itās unsettling. Itās real. By the end, thereās nothing left of the person who began the video. What youāre seeing is pure expression.
2025-06-16 12:14:21
15
DL noodles :
Darth Nihilus?
2025-06-12 20:30:03
0
Nuggets :
you can see him slowly unravel ā not just in motion but in meaning. In the first few seconds, thereās a hint of hesitation in his eyes, a slight stiffness in the shoulders. Heās aware of the camera, of the presence of others, of the absurdity of whatās unfolding. But beneath that hesitance is something more primal, something curious. You can tell ā itās not fear. Itās anticipation. Heās not holding back because heās scared, heās holding back because he knows once he lets go, thereās no returning to who he was. Then comes the shift. The second clip. His gaze sharpens. Not outward, but inward ā as though heās beginning to tap into something within himself that had always been dormant. Thereās still restraint, yes, but now itās calculated. Heās not overwhelmed; heās choosing his moment. His expressions are no longer accidental ā theyāre intentional. Each movement has weight. He is not just participating anymore ā heās becoming. And then, the third. This is where the transformation completes itself. There is no more nervous laughter, no more half-measures. His body moves with the kind of confidence that doesnāt ask for permission. His eyes are alive now ā not with uncertainty, but with conviction. He isnāt trying to be funny, or strange, or relatable. Heās just being. Unapologetically. Entirely. He is what he is, and itās beautiful. Itās unsettling. Itās real. By the end, thereās nothing left of the person who began the video. What youāre seeing is pure expression, distilled. Itās not about performance anymore ā itās about liberation. He found a part of himself and let it take over. And for a brief moment, the audience isnāt watching him for laughs. Theyāre watching in awe, unsure whether to laugh, cry, or applaud. Because something about it feels too honest. Too raw. He didnāt just make a video. He made a statement. A revelation. A confession in motion.
2025-06-21 03:43:32
1
charles do bronx oliveria :
you can see him slowly unravel ā not just in motion but in meaning. In the first few seconds, thereās a hint of hesitation in his eyes, a slight stiffness in the shoulders. Heās aware of the camera, of the presence of others, of the absurdity of whatās unfolding. But beneath that hesitance is something more primal, something curious. You can tell ā itās not fear. Itās anticipation. Heās not holding back because heās scared, heās holding back because he knows once he lets go, thereās no returning to who he was. Then comes the shift. The second clip. His gaze sharpens. Not outward, but inward ā as though heās beginning to tap into something within himself that had always been dormant. Thereās still restraint, yes, but now itās calculated. Heās not overwhelmed; heās choosing his moment. His expressions are no longer accidental ā theyāre intentional. Each movement has weight. He is not just participating anymore ā heās becoming. And then, the third. This is where the transformation completes itself. There is no more nervous laughter, no more half-measures. His body moves with the kind of confidence that doesnāt ask for permission. His eyes are alive now ā not with uncertainty, but with conviction. He isnāt trying to be funny, or strange, or relatable. Heās just being. Unapologetically. Entirely. He is what he is, and itās beautiful. Itās unsettling. Itās real. By the end, thereās nothing left of the person who began the video. What youāre seeing is pure expression, distilled. Itās not about performance anymore ā itās about liberation. He found a part of himself and let it take over. And for a brief moment, the audience isnāt watching him for laughs. Theyāre watching in awe, unsure whether to laugh, cry, or applaud. Because something about it feels too honest. Too raw. He didnāt just make a video. He made a statement. A revelation. A confession in motion.
2025-06-13 02:27:49
32
JayStinks :
train is js a much terrifying version of jerma
2025-06-11 20:01:54
3197
. :
How doesnāt he get banned tho?
2025-06-16 09:17:48
2
ā¦ļøŠŠµŃŠµŠ²ŠµŠ½ŃŠøŠ½Š°ā¦ļø :
Waiting for the Analog horror for ts btwāļø
2025-06-11 18:39:27
9
Just The Filip :
bro really is all powerfull because you can't kill more than three without getting competetive ban š
2025-06-11 12:07:11
3379
freman š±š± :
Withered Jerma
2025-06-13 14:24:02
45
ššŖš½š¼š¾š·š® šš»š®šŖš“š¾ :
Notice how he is the last person alive?? š¤£āļø
2025-06-11 10:37:43
6250
āmolodoyjeks0nā :
you can see him slowly unravel ā not just in motion but in meaning. In the first few seconds, thereās a hint of hesitation in his eyes, a slight stiffness in the shoulders. Heās aware of the camera, of the presence of others, of the absurdity of whatās unfolding. But beneath that hesitance is something more primal, something curious. You can tell ā itās not fear. Itās anticipation. Heās not holding back because heās scared, heās holding back because he knows once he lets go, thereās no returning to who he was. Then comes the shift. The second clip. His gaze sharpens. Not outward, but inward ā as though heās beginning to tap into something within himself that had always been dormant. Thereās still restraint, yes, but now itās calculated. Heās not overwhelmed; heās choosing his moment. His expressions are no longer accidental ā theyāre intentional. Each movement has weight. He is not just participating anymore ā heās becoming. And then, the third. This is where the transformation completes itself. There is no more nervous laughter, no more half-measures. His body moves with the kind of confidence that doesnāt ask for permission. His eyes are alive now ā not with uncertainty, but with conviction. He isnāt trying to be funny, or strange, or relatable. Heās just being. Unapologetically. Entirely. He is what he is, and itās beautiful. Itās unsettling. Itās real. By the end, thereās nothing left of the person who began the video. What youāre seeing is pure expression, distilled. Itās not about performance anymore ā itās about liberation. He found a part of himself and let it take over. And for a brief moment, the audience isnāt watching him for laughs. Theyāre watching in awe, unsure whether to laugh, cry, or applaud. Because something about it feels too honest. Too raw. He didnāt just make a video. He made a statement. A revelation. A confession in motion.
2025-06-13 09:52:58
1
Ben.g_09 :
Me when i play practice comp and want to 1v5 the bots
2025-07-05 20:50:28
0
nietactf :
heās not actually doing this right ? itās just his clips pasted on the gameplay
2025-06-11 15:42:15
48
Gavin Harris :
Cs2 was the largest waste of time and money Iāve ever experienced
2025-07-01 18:57:49
0
Reeshal š“ó §ó ¢ó ·ó ¬ó ³ó æ :
VAC do something šš„š
2025-06-12 06:28:54
21
Kakarot_MR10 :
Why is he actually the angel engine š
2025-06-13 18:17:19
6
Phantom :
I need to see a clip of train reacting to these man š
2025-06-11 17:41:27
540
Mr_Bubbles69999 :
You can see him slowly unravel ā not just in motion but in meaning. In the first few seconds, thereās a hint of hesitation in his eyes, a slight stiffness in the shoulders. Heās aware of the camera, of the presence of others, of the absurdity of whatās unfolding. But beneath that hesitance is something more primal, something curious. You can tell ā itās not fear. Itās anticipation. Heās not holding back because heās scared, heās holding back because he knows once he lets go, thereās no returning to who he was. Then comes the shift. The second clip. His gaze sharpens. Not outward, but inward ā as though heās beginning to tap into something within himself that had always been dormant. Thereās still restraint, yes, but now itās calculated. Heās not overwhelmed; heās choosing his moment. His expressions are no longer accidental ā theyāre intentional. Each movement has weight. He is not just participating anymore ā heās becoming. And then, the third. This is where the transformation completes itself. There is no more nervous laughter, no more half-measures. His body moves with the kind of confidence that doesnāt ask for permission. His eyes are alive now ā not with uncertainty, but with conviction. He isnāt trying to be funny, or strange, or relatable. Heās just being. Unapologetically. Entirely. He is what he is, and itās beautiful. Itās unsettling. Itās real. By the end, thereās nothing left of the person who began the video. What youāre seeing is pure expression, distilled. Itās not about performance anymore ā itās about liberation. He found a part of himself and let it take over. And for a brief moment, the audience isnāt watching him for laughs. Theyāre watching in awe, unsure whether to laugh, cry, or applaud. Because something about it feels too honest. Too raw. He didnāt just make a video. He made a statement. A revelation. A confession in motion.
2025-06-20 15:00:19
0
jake :
bros genuinely harvesting souls
2025-06-22 16:51:36
0
ā¬carlosā¬ :
you can see him slowly unravel ā not just in motion but in meaning. In the first few seconds, thereās a hint of hesitation in his eyes, a slight stiffness in the shoulders. Heās aware of the camera, of the presence of others, of the absurdity of whatās unfolding. But beneath that hesitance is something more primal, something curious. You can tell ā itās not fear. Itās anticipation. Heās not holding back because heās scared, heās holding back because he knows once he lets go, thereās no returning to who he was. Then comes the shift. The second clip. His gaze sharpens. Not outward, but inward ā as though heās beginning to tap into something within himself that had always been dormant. Thereās still restraint, yes, but now itās calculated. Heās not overwhelmed; heās choosing his moment. His expressions are no longer accidental ā theyāre intentional. Each movement has weight. He is not just participating anymore ā heās becoming. And then, the third. This is where the transformation completes itself. There is no more nervous laughter, no more half-measures. His body moves with the kind of confidence that doesnāt ask for permission. His eyes are alive now ā not with uncertainty, but with conviction. He isnāt trying to be funny, or strange, or relatable. Heās just being. Unapologetically. Entirely. He is what he is, and itās beautiful. Itās unsettling. Itās real. By the end, thereās nothing left of the person who began the video. What youāre seeing is pure expression, distilled. Itās not about performance anymore ā itās about liberation. He found a part of himself and let it take over. And for a brief moment, the audience isnāt watching him for laughs. Theyāre watching in awe, unsure whether to laugh, cry, or applaud. Because something about it feels too honest. Too raw. He didnāt just make a video. He made a statement. A revelation. A confession in motion.
2025-06-13 14:08:28
1
Pryo :
Me when a thief stepped on my wifi cable
2025-06-11 15:39:27
35
ALCHEMIā¤ :
who gave Jeff the killer access to this game dawg ššš
2025-06-12 18:51:45
40
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