@ahmed151989: #الزاويه_العنقاء_ليبيا🇱🇾🔥✌🏻اكسبلور #اشعب_اصيني_مال_حال😹💔 #🇹🇳_مغرب🇲🇦ليبيا🇱🇾 #الزاويه_العنقاء_ليبيا🇱🇾 #شعب_اصيني_مال_حال😹✌ #شعب_اصيني_مال_حال😹✌ #اكسبلور_ليبيا_طرابلس_بنغازي_مصراتة_🔥🦅 #اكسبلور_ليبيا_طرابلس_بنغازي_مصراتة_🔥🦅 #شعب_اصيني_مال_حال😹💔 #جزائر🇩🇿_تونس🇹🇳_مغرب🇲🇦ليبيا🇱🇾 #الجبل_الغربي_مزده_نسمه_❤️🇱🇾ليبيا_الوطن❤️ #الجبل_الغربي_مزده_نسمه_❤️🇱🇾ليبيا_الوطن❤️ #العجيلات_الزاويه_صبراتة_طرابلس❤️ #الجبل_الغربي_مزده_نسمه_❤️🇱🇾ليب #اشعب_اصيني_مال_حال😹💔🤣😂😂😂😂😂 #جزائر🇩🇿_تونس🇹🇳_مغرب🇲🇦ليبيا🇱🇾 #الجبل_الغربي_مزده_نسمه_❤️🇱🇾ليب #نالوت💙_طرابلس💛_مصراتة💚 #الوطن_غالي_عندنا_نفديك_بالروح_ياوطن #الزاويه_العنقاء_ليبيا🇱🇾🔥✌🏻اكسبلور

🇱🇾Ahmed

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Region: LY

Wednesday 16 July 2025 10:22:15 GMT

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Comments

"طاڶبۃجۣۗہنۣۗہهۣۗہ♡ :

أستغفر الله العظيم واتوب إليه

2025-07-19 21:08:35

1

najiagawan :

قوية🤣🤣🤣🤣🤣🤣

2025-07-17 17:33:36

2

قطر الندى :

🥰🥰🥰🥰🥰🥰ووووووووووه عليه. هههههههه

2025-07-19 16:32:03

1

المرابط الرابط :

ديما حني تحكي فيها

2025-07-19 15:57:53

1

Føfę Tř :

كان ماقلتش هكي كاين يفكر بيقولها 🙂😂

2025-07-16 11:41:17

1

🌹🌹 :

عن جد الليالي السود 😂😂😂😂

2025-07-18 17:44:01

1

هبة الرحمن :

🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣الله يسعدك يارب

2025-07-16 10:28:02

1

مجهول الهويه مجهول الهويه :

😂😂😂وييووووو

2025-07-16 10:42:35

1

HNo MH. :

ههههه اههه 🤣🤣يناري

2025-07-18 10:10:35

1

مروه خالد :

🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣🤣

2025-07-20 20:06:43

1

ᕼEᒪEᑎ•|• 🌸 :

😂😂😂😂😂👌

2025-07-18 23:48:15

2

خيال المستحيل :

🤣😂🤣😂

2025-07-19 21:06:25

1

saro :

😂😂😂😂😂😂😂😂

2025-07-19 03:11:52

1

Ha_na_95a :

😂😂😂

2025-07-19 02:13:44

1

user4622992351015 :

😂😂

2025-07-18 23:56:24

1

🦋لحن القلوب 🦋 :

😂😂😂😂😂😂😂

2025-07-18 23:46:54

1

محمد السوداني :

😂😂😂😂😂😂😂

2025-07-18 22:50:10

1

Koky Mohamed :

😂😂😂😂😂😂😂🤣🤣🤣

2025-07-18 22:44:19

1

💙👌استثنائيه 🦋🫶 :

😂😂😂😂😂

2025-07-18 22:18:26

1

Saed Zaza :

🤣🤣🤣

2025-07-18 22:08:46

1

خالد الصابرو :

🤣🤣🤣🤣🤣

2025-07-18 21:58:03

1

Aisha Aj :

😂😂😂

2025-07-18 20:18:52

1

الدنيا فانيه :

😂😂😂😂

2025-07-18 17:20:50

1

Zahra Hanan✿ :

😂😂😂😂

2025-07-18 16:50:17

1

Deda :

😂😂😂😂😂😂

2025-07-18 16:34:03

1

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Prompt : A high-speed, unbroken 8-second daytime shot in a hyper-dense Indonesian slum neighborhood. The camera moves rapidly and continuously through interconnected rooms, using only physical transitions — doors, windows, vents, stairwells, narrow gaps — no cuts, no slow motion. It begins inside a cramped, cluttered living room, with a dusty TV playing soap operas, kids playing on the floor. The camera surges forward, dodging hanging laundry, then slips through a partially open door into a narrow bedroom with barely enough space to walk. It pushes through a hanging curtain, entering a side hallway filled with clotheslines and cracked paint, then squeezes out a small window into an adjacent outdoor kitchen, where oil splatters in a wok over a gas flame. The camera flies over the stove and dives into a narrow cement passage, brushing past stacked plastic pails. Suddenly, it rises over a wall and glides across the top of a roofless outdoor bathroom. Below, a man is squatting on a toilet, shirtless, calmly reading a newspaper. A single sandal lies beside him. The bathroom walls are made of patched concrete, and steam rises from a small bucket. The camera does not stop, instead quickly tilts upward and ascends vertically, passing over exposed clotheslines and a rusted metal rooftop. It continues into a tiny attic room filled with old furniture, then bursts through a hole in the wall into the next house’s living room, where an old fan spins and someone naps on the floor. The movement is nonstop, fast, fluid, and spatially logical. No teleportation. All transitions through real architectural features in a crowded, chaotic urban setting. Shot in bright daylight. Absurd, energetic, hyperreal. 8K cinematic realism, one take.

Prompt : A high-speed, unbroken 8-second daytime shot in a hyper-dense Indonesian slum neighborhood. The camera moves rapidly and continuously through interconnected rooms, using only physical transitions — doors, windows, vents, stairwells, narrow gaps — no cuts, no slow motion. It begins inside a cramped, cluttered living room, with a dusty TV playing soap operas, kids playing on the floor. The camera surges forward, dodging hanging laundry, then slips through a partially open door into a narrow bedroom with barely enough space to walk. It pushes through a hanging curtain, entering a side hallway filled with clotheslines and cracked paint, then squeezes out a small window into an adjacent outdoor kitchen, where oil splatters in a wok over a gas flame. The camera flies over the stove and dives into a narrow cement passage, brushing past stacked plastic pails. Suddenly, it rises over a wall and glides across the top of a roofless outdoor bathroom. Below, a man is squatting on a toilet, shirtless, calmly reading a newspaper. A single sandal lies beside him. The bathroom walls are made of patched concrete, and steam rises from a small bucket. The camera does not stop, instead quickly tilts upward and ascends vertically, passing over exposed clotheslines and a rusted metal rooftop. It continues into a tiny attic room filled with old furniture, then bursts through a hole in the wall into the next house’s living room, where an old fan spins and someone naps on the floor. The movement is nonstop, fast, fluid, and spatially logical. No teleportation. All transitions through real architectural features in a crowded, chaotic urban setting. Shot in bright daylight. Absurd, energetic, hyperreal. 8K cinematic realism, one take.

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