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user6126979013469
齊丹尼玩家 :
muito bom 😆😆😆😆
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I went into Carry-On on Netflix expecting a typical, mid-tier thriller, but I was genuinely surprised by how much fun I had with this one. Directed by Jaume Collet-Serra, a filmmaker known for his knack for tension and high-concept action, Carry-On pulls off a tight, suspenseful story that feels both fresh and reminiscent of his best work. It’s a return to form for Collet-Serra after larger projects like Black Adam and Jungle Cruise, reminding me why I loved his earlier films like Non-Stop and The Shallows. The plot revolves around Ethan Kopek (Taron Egerton), a TSA agent who finds himself caught in a morally harrowing situation. On Christmas Eve, a mysterious figure (played by Jason Bateman with an unsettling calm presence) coerces Ethan into sneaking a dangerous package onto a plane. What follows is a tense, high-stakes game of cat and mouse that leans into its confined airport setting in clever ways. The film wastes no time building momentum, and I appreciated how it trusted the audience to keep up without spoon-feeding exposition. One of the film’s biggest strengths is its pacing. At just under two hours, Carry-On zips by, balancing moments of tension with bursts of adrenaline. Collet-Serra has a way of making enclosed spaces feel cinematic, and the airport in this film is no exception. The cinematography stands out, especially in how it captures the chaos and sterile brightness of the terminal. The camera movements heighten the claustrophobia, and the use of lighting. cold fluorescents contrasting with the warmer hues of the holiday decorations, creates an unnerving atmosphere. Taron Egerton delivers a solid performance as Ethan, portraying him as someone both capable and vulnerable. He grounds the story with a relatable sense of panic, but there’s also an underlying determination that keeps you rooting for him. Jason Bateman, on the other hand, is magnetic as the antagonist. His calm, almost clinical demeanor makes him terrifying without resorting to over-the-top theatrics. Their scenes together crackle with tension, and it’s those performances that elevate the film beyond its genre trappings. What really surprised me about Carry-On was how fun it turned out to be. Yes, it’s a thriller, but there’s an energy to the storytelling that keeps it from feeling overly grim. The film leans into its absurdity just enough to stay entertaining without losing its edge. It reminded me of why I love films that don’t take themselves too seriously but still deliver on the suspense and stakes. Compared to Collet-Serra’s other works, Carry-On feels smaller in scope but sharper in execution. While Jungle Cruise and Black Adam were big, CGI-heavy spectacles, this film thrives on its intimacy and simplicity. It doesn’t try to do too much, and that restraint works in its favour. The airport setting is used brilliantly, and the confined environment adds a layer of immediacy that keeps the tension high. The twists, too, are worth mentioning. While I won’t spoil anything, there were a couple of moments that genuinely caught me off guard. They’re not so outlandish as to feel cheap, but they’re clever enough to make you rethink everything you’ve seen so far. It’s this combination of clever plotting, strong performances, and sleek direction that makes Carry-On stand out. Is it perfect? Not quite. There are a few moments where the dialogue feels a bit on the nose, and some supporting characters are underdeveloped and CGI is messy. But honestly, those minor flaws don’t detract much from the overall experience. Kind of wished this was a cinema experience with the family instead. In the end, Carry-On is a movie that knows exactly what it wants to be and delivers on it with confidence. It’s suspenseful, well-crafted, and a lot more fun than I expected. If you’re in the mood for a tightly wound thriller with great performances and a few surprises along the way, this is absolutely worth checking out. #tsreeltalk #CarryOnMovie #FilmReviews #FilmTok #Viral
I went into Carry-On on Netflix expecting a typical, mid-tier thriller, but I was genuinely surprised by how much fun I had with this one. Directed by Jaume Collet-Serra, a filmmaker known for his knack for tension and high-concept action, Carry-On pulls off a tight, suspenseful story that feels both fresh and reminiscent of his best work. It’s a return to form for Collet-Serra after larger projects like Black Adam and Jungle Cruise, reminding me why I loved his earlier films like Non-Stop and The Shallows. The plot revolves around Ethan Kopek (Taron Egerton), a TSA agent who finds himself caught in a morally harrowing situation. On Christmas Eve, a mysterious figure (played by Jason Bateman with an unsettling calm presence) coerces Ethan into sneaking a dangerous package onto a plane. What follows is a tense, high-stakes game of cat and mouse that leans into its confined airport setting in clever ways. The film wastes no time building momentum, and I appreciated how it trusted the audience to keep up without spoon-feeding exposition. One of the film’s biggest strengths is its pacing. At just under two hours, Carry-On zips by, balancing moments of tension with bursts of adrenaline. Collet-Serra has a way of making enclosed spaces feel cinematic, and the airport in this film is no exception. The cinematography stands out, especially in how it captures the chaos and sterile brightness of the terminal. The camera movements heighten the claustrophobia, and the use of lighting. cold fluorescents contrasting with the warmer hues of the holiday decorations, creates an unnerving atmosphere. Taron Egerton delivers a solid performance as Ethan, portraying him as someone both capable and vulnerable. He grounds the story with a relatable sense of panic, but there’s also an underlying determination that keeps you rooting for him. Jason Bateman, on the other hand, is magnetic as the antagonist. His calm, almost clinical demeanor makes him terrifying without resorting to over-the-top theatrics. Their scenes together crackle with tension, and it’s those performances that elevate the film beyond its genre trappings. What really surprised me about Carry-On was how fun it turned out to be. Yes, it’s a thriller, but there’s an energy to the storytelling that keeps it from feeling overly grim. The film leans into its absurdity just enough to stay entertaining without losing its edge. It reminded me of why I love films that don’t take themselves too seriously but still deliver on the suspense and stakes. Compared to Collet-Serra’s other works, Carry-On feels smaller in scope but sharper in execution. While Jungle Cruise and Black Adam were big, CGI-heavy spectacles, this film thrives on its intimacy and simplicity. It doesn’t try to do too much, and that restraint works in its favour. The airport setting is used brilliantly, and the confined environment adds a layer of immediacy that keeps the tension high. The twists, too, are worth mentioning. While I won’t spoil anything, there were a couple of moments that genuinely caught me off guard. They’re not so outlandish as to feel cheap, but they’re clever enough to make you rethink everything you’ve seen so far. It’s this combination of clever plotting, strong performances, and sleek direction that makes Carry-On stand out. Is it perfect? Not quite. There are a few moments where the dialogue feels a bit on the nose, and some supporting characters are underdeveloped and CGI is messy. But honestly, those minor flaws don’t detract much from the overall experience. Kind of wished this was a cinema experience with the family instead. In the end, Carry-On is a movie that knows exactly what it wants to be and delivers on it with confidence. It’s suspenseful, well-crafted, and a lot more fun than I expected. If you’re in the mood for a tightly wound thriller with great performances and a few surprises along the way, this is absolutely worth checking out. #tsreeltalk #CarryOnMovie #FilmReviews #FilmTok #Viral
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