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@lyna_vaythietke: Hoa ko sắc, ko hương chỉ là thân hoa dại 🥰 #thoitrangnu #lyna_vaythietke #vaydep

LYNA Váy Thiết Kế
LYNA Váy Thiết Kế
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Region: VN
Thursday 04 September 2025 11:37:04 GMT
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Comments

quyn.nguyn710
Quyên Nguyễn :
xin giá ạ
2025-09-04 12:14:47
0
ng.nh.hng105
Đặng Ánh Hồng :
Sao k thay trong giỏ
2025-09-05 04:56:40
0
khanhly531998
Khánh Ly :
K có giỏ ak shop
2025-09-06 02:37:21
0
bonin2017
Ỉn soppinh :
Váy này xinh
2025-09-04 15:49:34
0
tuyeuchinhminh50
tuyeuchinhminh50 :
Séc váy đẹp quá
2025-09-04 14:25:00
0
shopthoitrangnu6688
TRANG TÍCH CỰC ✅ :
xuất sắc 😍😍😍
2025-09-04 17:10:58
0
giahuy.shopping
STORE-1997 :
Váy này đẹp quá shop
2025-09-04 16:16:54
0
linhnguyen5303
Linh Nguyen :
@chychy nè đẹp ko
2025-09-06 14:49:36
0
hiiwonstore1229
Hiwonn Store :
🥰
2025-09-04 13:22:05
0
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#dior #couture #Runway The Fall 2025 haute couture collection by Maria Grazia Chiuri for Dior unfolded as a poetic return to the designer’s Roman roots, staged at the historic Villa Albani Torlonia. It opened with ultra-tailored double-faced cashmere ensembles—tailcoats and trouser suits described by Chiuri as “you can only make these by hand.” From there the collection shifted into semi-sheer dresses adorned with 3D floral lace, gilded latticework and art-deco frills: an homage to couture’s craft alongside Chiuri’s less-corseted silhouette ideal. The palette was predominantly ethereal—ivory, soft grey and shimmering metallics—while references to ecclesiastical tailoring (a cardinal-red coat, deep lace hems) and Roman armour suggested strength behind the softness. Overall the collection felt like a layered dialogue between heritage and personal expression: couture not simply as spectacle, but as a woman’s armour and a celebratory gesture of place, memory and craft.
#dior #couture #Runway The Fall 2025 haute couture collection by Maria Grazia Chiuri for Dior unfolded as a poetic return to the designer’s Roman roots, staged at the historic Villa Albani Torlonia. It opened with ultra-tailored double-faced cashmere ensembles—tailcoats and trouser suits described by Chiuri as “you can only make these by hand.” From there the collection shifted into semi-sheer dresses adorned with 3D floral lace, gilded latticework and art-deco frills: an homage to couture’s craft alongside Chiuri’s less-corseted silhouette ideal. The palette was predominantly ethereal—ivory, soft grey and shimmering metallics—while references to ecclesiastical tailoring (a cardinal-red coat, deep lace hems) and Roman armour suggested strength behind the softness. Overall the collection felt like a layered dialogue between heritage and personal expression: couture not simply as spectacle, but as a woman’s armour and a celebratory gesture of place, memory and craft.
#nangmui #xuhuong #bsphamhao #suamuihong #gheptrungbi #lamdep
#nangmui #xuhuong #bsphamhao #suamuihong #gheptrungbi #lamdep

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