@ayamv7: #ستوريات #اقتباسات #اقتباسات_عبارات_خواطر🖤🦋❤️ #اقتباسات📝

ayamv7
ayamv7
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Friday 12 September 2025 18:14:39 GMT
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s..............3r
حگآيهہ✍️ :
وراء كل رغيف خبز سنابل عانقت منجلاً "
2025-09-12 23:03:08
135
user1022069081567
زهرة اللوتس :
ولعلك زرعت نفسك في غير ارضك فذبلت.؟. ذبلت وماتت 😢😢
2025-09-13 08:43:39
66
user2800921709691
خيال𓆪 :
جميلة
2025-10-20 17:42:41
0
monr777
ↄᓄᓗᓄ :
احذر تغش الناس لو كان غشوك.. غادر بصمت وخل خاطرك صافي.. والدرب خله سمح لا تزرعه شوك.. يمكن يجي لك يوم.. وتمر حافي..
2025-09-13 08:58:51
49
usi654863gyf
user9410237311489 :
اتمنى دائما ان يلهمني الله السكوت مهما بلغت حاجتي لكلام
2025-09-27 16:28:50
13
erect76
روح :
ليس كل مايتمناه المرء يدركه
2025-09-15 09:12:50
14
zainab_eer
يا فاطمة الزهراء :
اريد مساعدتكم خوية عليكم الحسين
2025-09-14 08:32:38
13
ss_sq34
يا مولاتي يا فاطمه :
الانسان الذي تربيه المصاعب الحياة لن يكوم تلميذا الاحد
2025-09-12 19:06:13
14
99_99a1
أرٍجٍوُان🌺 :
"لا تعامل الله بالقلق، عامله باليقين ليعاملك بالمعجزات
2025-09-13 09:12:54
46
z652159
زَهــراء✨ :
من رخصة صاحب الحساب عادي نستخدم فيديوهاتك للنشر؟؟
2025-09-13 10:17:01
2
user16084103593396
روح :
اسم المسيقا
2025-09-13 08:01:47
1
sos_moha9d
𝓦𝓐𝓢𝓐𝓝 :
عند اختيارك السلام تأكد بان الكثير الوداع سيأتي معه
2025-09-13 07:30:04
9
.19877071
پێرە میرد :
جمیل👏👏👏👏
2025-10-17 17:09:20
0
bent.lblad22
souma💛💜 :
لماذا لا يثمر العطاء رغم أني أغرقه بالماء؟
2025-10-21 16:29:30
1
hass_on22
هـــــــــدوء 🥀 :
هل اتيت لأني أنا؟ ام لأنك تائه ولا تعرف سوى عنواني؟
2025-09-15 15:49:23
10
sakcjdidj
:ސاމ🪐 :
لا تبحث عن الأمان اصنعه لنفسك😌
2025-10-07 06:08:59
0
oo.xx1f
حہٰٰٰمہٰٰودي الہٰٰٰعہٰٰزاويہٰٰ :
ولا تعتب بعد لو مايمرك طير فزاعه وعليك اغراب مايجبل
2025-10-08 22:39:36
0
user2496921425561
المهرة الأصيلة 🐎💎 :
ياحي ياقيوم برحمتك أستغيث أصلح لي شأني كله ولا تكلني الى نفسى طرفة عين
2025-09-13 15:33:20
28
imaneimane0813
Imane Imane :
ثمار العطاء لم تنضج لان السبب كان الغرق، فقد اعطينا اكثر من اللازم فالشيء ان زاد عن حده انقلب الى ضده مع الاسف. لكن هنالك رب كريم قادر على تغيير الاحوال فدوام الحال من المحال.
2025-10-07 22:02:55
0
rogenda12
☆꧂, ƧΛЯΛ ; ༊෴✿ :
هل اتيت لأني انا؟ ام انك تائه ولاتعرف سوى عنواني؟
2025-09-13 01:06:03
10
s..............3r
حگآيهہ✍️ :
فوات الفرصه ليست خساره انما نجات من شيء تجهله "
2025-09-12 22:59:56
10
.31352140
حفيده الامام ؏ــــ𓄌ـــﷺـلي 🤍 :
لا تصدق اصحاب مقوله" سرك في بئر" فالبئر يسقي كل اهل القريه ...!!
2025-10-04 08:17:32
6
r_j_sha
يناير 1415 ؛✨؛ :
لا توجد فرص ضائعه.. كل مافتك ليس لك✨
2025-09-13 08:46:54
5
dya0cab3abyo
🌼أزْهـآرٍ🌼 :
ذووووووق راااااقي
2025-09-12 18:44:15
4
hawraawasfi
ام مهند :
هذا السؤال دائما في عقلي؟ هل اتيت لأني أنا ؟ام لأنك تائه ولا تعرف سوى عنواني
2025-10-09 13:20:13
0
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The Hurt Locker (2008) is a modern day Lawrence of Arabia about US empire and our descent into full conservative fascism post 9/11. It’s a masterpiece that I argue should be viewed allegorically representing the mindset that full took hold of America in this century. I have no idea if any of this is intended, to be honest. I don’t know if Bigelow works on that level. She strikes me as someone who prioritizes accurate thematic depiction over all else, so I think she’s portraying this story accurately to the impulse that she sees, and she’s a tremendously talented artist, so she nailed the mindset as well as just about anyone ever has. I also think it’s a perfect subject for her, as her whole career has been largely an examination of danger and violence from different aspects. I lean towards the idea that she was implicitly putting a lot this stuff forward given her earlier work in Blue Steel (1990) and Strange Days (1995), as well as the recurring scenes with the different types of media that she uses. Notably, the movie literally begins with us viewing video through a bomb disposal unit. Is that her being Brechtian? Is she going overly melodramatic a la Sirk to make a larger point about what these characters represent? I personally think so, but I’m not sure. Maybe she’s sort of playing a joke on the audience, putting us into the same mindset as the people and making us question are appetite and lurid fascination—and tacit acceptance as citizens—of this danger. I really don’t know, which is why she’s is so endlessly fascinating as a filmmaker to me. She’s both incredible on a pure tactile level, but she also understands and has expressed melodrama on an extremely sophisticated level (see The Loveless, her first movie), and she also is recurringly exploring how we as audiences engage with this stuff in various forms of media going all the way back to her short film The Set-Up. Anyway, I’ve been thinking about this one for like fifteen years, so I wanted to make a video on it. #movietok #filmtok #leftisttiktok #socialism #leftist
The Hurt Locker (2008) is a modern day Lawrence of Arabia about US empire and our descent into full conservative fascism post 9/11. It’s a masterpiece that I argue should be viewed allegorically representing the mindset that full took hold of America in this century. I have no idea if any of this is intended, to be honest. I don’t know if Bigelow works on that level. She strikes me as someone who prioritizes accurate thematic depiction over all else, so I think she’s portraying this story accurately to the impulse that she sees, and she’s a tremendously talented artist, so she nailed the mindset as well as just about anyone ever has. I also think it’s a perfect subject for her, as her whole career has been largely an examination of danger and violence from different aspects. I lean towards the idea that she was implicitly putting a lot this stuff forward given her earlier work in Blue Steel (1990) and Strange Days (1995), as well as the recurring scenes with the different types of media that she uses. Notably, the movie literally begins with us viewing video through a bomb disposal unit. Is that her being Brechtian? Is she going overly melodramatic a la Sirk to make a larger point about what these characters represent? I personally think so, but I’m not sure. Maybe she’s sort of playing a joke on the audience, putting us into the same mindset as the people and making us question are appetite and lurid fascination—and tacit acceptance as citizens—of this danger. I really don’t know, which is why she’s is so endlessly fascinating as a filmmaker to me. She’s both incredible on a pure tactile level, but she also understands and has expressed melodrama on an extremely sophisticated level (see The Loveless, her first movie), and she also is recurringly exploring how we as audiences engage with this stuff in various forms of media going all the way back to her short film The Set-Up. Anyway, I’ve been thinking about this one for like fifteen years, so I wanted to make a video on it. #movietok #filmtok #leftisttiktok #socialism #leftist

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