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@hiivicc: Sorry I can’t. I’m booked and busy. 🙈 BTW, this is literally the cheapest I’ve ever seen this walking pad go on sale for!! 🤯 #walkingpad #walkingpadtreadmill #dailysteps #walkingpadathome

Coach Vic - Body Neutral CPT
Coach Vic - Body Neutral CPT
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Region: US
Friday 10 October 2025 17:31:34 GMT
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col2turk
AZ FlipFlop Momma :
Omg I loved seeing you and Paige today! I miss seeing your beautiful face and getting hugs!!!! ❤️❤️❤
2025-10-10 19:47:30
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“ Mười năm trước bạn là ai, một năm trước bạn là ai, thậm chí hôm qua bạn là ai đều không quan trọng. Quan trọng là hôm nay bạn là ai và ngày mai sẽ trở thành ai…”
“ Mười năm trước bạn là ai, một năm trước bạn là ai, thậm chí hôm qua bạn là ai đều không quan trọng. Quan trọng là hôm nay bạn là ai và ngày mai sẽ trở thành ai…”
Replying to @marybethnicol From Robin’s perspective, it’s about altruism as both purpose and protection. He’s the classic rescuer archetype, the one who feels responsible for saving everyone else, not just out of goodness, but because he’s known what it’s like to feel powerless. His charm, humor, and bravery mask the ache of someone who’s learned to earn safety through service. This is trauma-driven heroism, turning pain into purpose. But his healing begins when he realizes that connection, not control, sustains community, and that he, too, deserves rest and care. Little John is the embodiment of secure attachment; calm, loyal, grounding. He’s Robin’s co-regulator, the steady presence who reminds him it’s okay to slow down. In every duo like this, one person leads from fire, the other from earth. Little John anchors Robin’s intensity in warmth and trust, the balance between action and safety. Maid Marian represents the heart, love without condition or performance. She doesn’t love Robin because he’s a hero; she loves him because she sees his humanity. She’s the gentle mirror that says, “You are already enough.” In a psychological sense, she’s the reparenting energy, the part that teaches the protector it’s safe to soften, to receive, to be loved for simply existing. Prince John and the Sheriff embody the opposite pole: power as protection. Their cruelty stems from insecurity, the hollow hunger of people who never learned to feel safe within themselves. Prince John, sucking his thumb and calling for his mother, is the wounded inner child desperate for reassurance. The Sheriff enforces control on his behalf, the part of the psyche that believes domination equals safety. Together, they show what happens when fear becomes identity: when worth is sought externally, through gold, status, or control, because internal peace was never learned. Sir Hiss, always whispering in Prince John’s ear, is the voice of shame, the inner critic that manipulates through fear. He’s the anxious mind that overthinks, overanalyzes, and keeps us stuck in cycles of avoidance, whispering, “Don’t get caught, don’t fail, don’t feel.” Friar Tuck is the moral compass, the compassionate Self. He acts from love, not fear, and reminds us that justice without empathy turns into vengeance. He holds space for everyone’s pain, believing in redemption even when the world feels broken. And then there are the children, little Skippy and his friends, symbols of innocence, joy, and playfulness. They’re the exiled parts of the psyche, the inner children who remind us what this fight is really for: to reclaim safety, laughter, and freedom. When Robin kneels to give Skippy his hat and bow, it’s more than kindness, it’s symbolic reparenting. It’s the healed adult saying to the wounded child, “You can still play. You’re safe now.” In that light, Robin Hood isn’t just a fable about outlaws and kings. It’s a map of the nervous system. Every character is a survival strategy: the rescuer who overgives, the controller who overpowers, the critic who fears, the healer who grounds, the child who hopes. The forest becomes the metaphorical body...wild, alive, and free...the space where all parts can coexist when love replaces fear. And maybe that’s why this story endures. Because somewhere inside each of us is a Robin, tired but hopeful, trying to restore balance in a world that’s forgotten its heart. #HealingJourney #MentalHealthAwareness #robinhood #ifs #shadowwork
Replying to @marybethnicol From Robin’s perspective, it’s about altruism as both purpose and protection. He’s the classic rescuer archetype, the one who feels responsible for saving everyone else, not just out of goodness, but because he’s known what it’s like to feel powerless. His charm, humor, and bravery mask the ache of someone who’s learned to earn safety through service. This is trauma-driven heroism, turning pain into purpose. But his healing begins when he realizes that connection, not control, sustains community, and that he, too, deserves rest and care. Little John is the embodiment of secure attachment; calm, loyal, grounding. He’s Robin’s co-regulator, the steady presence who reminds him it’s okay to slow down. In every duo like this, one person leads from fire, the other from earth. Little John anchors Robin’s intensity in warmth and trust, the balance between action and safety. Maid Marian represents the heart, love without condition or performance. She doesn’t love Robin because he’s a hero; she loves him because she sees his humanity. She’s the gentle mirror that says, “You are already enough.” In a psychological sense, she’s the reparenting energy, the part that teaches the protector it’s safe to soften, to receive, to be loved for simply existing. Prince John and the Sheriff embody the opposite pole: power as protection. Their cruelty stems from insecurity, the hollow hunger of people who never learned to feel safe within themselves. Prince John, sucking his thumb and calling for his mother, is the wounded inner child desperate for reassurance. The Sheriff enforces control on his behalf, the part of the psyche that believes domination equals safety. Together, they show what happens when fear becomes identity: when worth is sought externally, through gold, status, or control, because internal peace was never learned. Sir Hiss, always whispering in Prince John’s ear, is the voice of shame, the inner critic that manipulates through fear. He’s the anxious mind that overthinks, overanalyzes, and keeps us stuck in cycles of avoidance, whispering, “Don’t get caught, don’t fail, don’t feel.” Friar Tuck is the moral compass, the compassionate Self. He acts from love, not fear, and reminds us that justice without empathy turns into vengeance. He holds space for everyone’s pain, believing in redemption even when the world feels broken. And then there are the children, little Skippy and his friends, symbols of innocence, joy, and playfulness. They’re the exiled parts of the psyche, the inner children who remind us what this fight is really for: to reclaim safety, laughter, and freedom. When Robin kneels to give Skippy his hat and bow, it’s more than kindness, it’s symbolic reparenting. It’s the healed adult saying to the wounded child, “You can still play. You’re safe now.” In that light, Robin Hood isn’t just a fable about outlaws and kings. It’s a map of the nervous system. Every character is a survival strategy: the rescuer who overgives, the controller who overpowers, the critic who fears, the healer who grounds, the child who hopes. The forest becomes the metaphorical body...wild, alive, and free...the space where all parts can coexist when love replaces fear. And maybe that’s why this story endures. Because somewhere inside each of us is a Robin, tired but hopeful, trying to restore balance in a world that’s forgotten its heart. #HealingJourney #MentalHealthAwareness #robinhood #ifs #shadowwork
#modifikasi#aerox#ring17style#fyp
#modifikasi#aerox#ring17style#fyp
#foryouu
#foryouu

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