@dung.ne0: 7 tháng rồi vẫn còn đẹp #dongho #fyp #viralvideo #foryoupage #foryou

Mỹ Dung 🌾
Mỹ Dung 🌾
Open In TikTok:
Region: VN
Thursday 06 November 2025 12:44:39 GMT
3799
50
3
4

Music

Download

Comments

thichdecorphongtro9x
Ở trọ thích chill 🙆‍♀️ :
Cho em xin tt hồ cá đi c 🥰
2025-11-09 05:32:55
0
missluv_2811
miss.luv :
🥰
2025-11-08 18:59:24
0
missluv_2811
miss.luv :
😳
2025-11-08 18:50:26
0
To see more videos from user @dung.ne0, please go to the Tikwm homepage.

Other Videos

“I am walking down a path of no return, so I will leave behind me every gift I’ve received from God.” [HD art on my insta: @/zvdohu] The intertwined themes of ending the cycle of hatred and confronting imperialism and colonialism are so powerfully explored through the character Scar in possibly one of my favourite show ever, Full Metal Alchemist Brotherhood. The Ishvalan genocide, sparked by the militaristic ambitions of Amestris, serves as a critique of imperialist expansion and the dehumanising logic that justifies colonisation and ethnic cleansing in the name of “progress.”  Scar, an Ishvalan survivor turned avenger, initially embodies this cycle of hatred; he seeks to annihilate all State Alchemists as retribution for his people’s suffering. He became the very thing he critiqued, even before the extermination “Look brother, This is the alchemy you have been devoting yourself to?” Stating that even if intentions of alchemy are for the better good, no one will truly view it or utilise it that way only.  However, his journey reflects a struggle between vengeance and his late master’s teachings of forgiveness and balance: “I understand your resentment. But all revenge does is give birth to more revenge.” Scar’s eventual choice (kinda spoiler) to use alchemy to restore rather than destroy marks his transcendence of hatred, signaling hope for reconciliation and the breaking of generational violence.  The mangaka, Hiromu Arakawa, drew inspiration for the Ishvalans from real-world indigenous and oppressed peoples, particularly Ainu and other groups historically marginalised in Japan, as well as from global examples of colonised populations.  Through the Ishvalan conflict and Scar’s moral evolution, Arakawa exposes the corrosive nature of state violence and racism, ultimately advocating for understanding and coexistence over revenge and domination. This topic can be very delicate and the lines between revenge and resistance seem to constantly be blurred in our reality. I don’t think Scar was wrong for what he did, he was completely justified in doing so, but I also think this moral debate will continue forever without a clear resolution, as the cycle continues to repeat over and over. #fullmetalalchemistbrotherhood #fmab #anime #fanart #scarfma
“I am walking down a path of no return, so I will leave behind me every gift I’ve received from God.” [HD art on my insta: @/zvdohu] The intertwined themes of ending the cycle of hatred and confronting imperialism and colonialism are so powerfully explored through the character Scar in possibly one of my favourite show ever, Full Metal Alchemist Brotherhood. The Ishvalan genocide, sparked by the militaristic ambitions of Amestris, serves as a critique of imperialist expansion and the dehumanising logic that justifies colonisation and ethnic cleansing in the name of “progress.” Scar, an Ishvalan survivor turned avenger, initially embodies this cycle of hatred; he seeks to annihilate all State Alchemists as retribution for his people’s suffering. He became the very thing he critiqued, even before the extermination “Look brother, This is the alchemy you have been devoting yourself to?” Stating that even if intentions of alchemy are for the better good, no one will truly view it or utilise it that way only. However, his journey reflects a struggle between vengeance and his late master’s teachings of forgiveness and balance: “I understand your resentment. But all revenge does is give birth to more revenge.” Scar’s eventual choice (kinda spoiler) to use alchemy to restore rather than destroy marks his transcendence of hatred, signaling hope for reconciliation and the breaking of generational violence. The mangaka, Hiromu Arakawa, drew inspiration for the Ishvalans from real-world indigenous and oppressed peoples, particularly Ainu and other groups historically marginalised in Japan, as well as from global examples of colonised populations. Through the Ishvalan conflict and Scar’s moral evolution, Arakawa exposes the corrosive nature of state violence and racism, ultimately advocating for understanding and coexistence over revenge and domination. This topic can be very delicate and the lines between revenge and resistance seem to constantly be blurred in our reality. I don’t think Scar was wrong for what he did, he was completely justified in doing so, but I also think this moral debate will continue forever without a clear resolution, as the cycle continues to repeat over and over. #fullmetalalchemistbrotherhood #fmab #anime #fanart #scarfma

About