@dimlok1: #greektiktok #christmastreefail #AI #funnygreek #christmas2025

DimLok YXM
DimLok YXM
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Region: GR
Monday 24 November 2025 16:35:51 GMT
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vag.pal.75
vag ♌ pal :
ήμουν εκεί.. παρά λίγο να μου έρθει στο κεφάλι, πάρα τρίχα γλύτωσα!
2025-11-25 00:21:47
62
hristoshoyliaras
Chris :
Πότε έγινε αυτό
2025-11-25 08:39:50
2
jiosef_2612
Jiosef tsav greek :
Οι AI θα πούνε ότι είναι haters ✅
2025-11-25 09:33:22
35
leopoldin12
Μαρια ΥΟΒΕΒΑ :
ΑΙ
2025-11-30 16:49:29
0
elina2477742
👑 𝓔𝓵𝓲𝓷𝓪 𝓠𝓾𝓮𝓮𝓷 👑 :
γτ να μην ήταν ο Μητσοτάκης από κάτω😅🤭
2025-11-25 12:59:17
18
panagiwthsdellis
Panagiwths Dellis :
κάνε να πέφτει η βουλή.. να μην μείνει τίποτα 👌👌👌
2025-11-26 07:51:45
7
user4hkfub2je5
user4hkfub2je5 :
είχε πάει ο Μητσοτάκης....αναμενόμενο ήταν 🤣🤣🤣🤣
2025-11-26 20:36:58
4
kostasvolvo.gr
Ο Κώστας Κώστας :
😂😂😂😂 Επιστημονική φαντασία 😂😂
2025-11-26 20:00:50
0
maria.ts491
Maria Ts :
επιβεβαιώνω, ήμουν το δέντρο
2025-11-25 18:58:38
1
1313mfh
Amsterdam :
ooo malakas
2025-11-26 04:58:45
0
stavros19800
stavros19800 :
Ψέματα είναι AI
2025-11-25 21:32:53
0
christina.gramm
fairytale :
μια δουλειά είχαν να κάνουν
2025-11-26 12:42:41
0
alexander_guce
alexander_guce :
🤣🤣🤣🤣 Αυτά μόνο Ελλάδα
2025-11-25 23:56:18
0
makisparastatidi6
Makis Parastatidi663 :
καλά... τίποτε δεν πάει καλά σ' αυτή την χώρα.😂😂😂
2025-11-25 18:13:27
1
leon.lani
Vlonjat 24 karat 🇦🇱 🚚 ♊️ :
Tani ku do bej foto un mama mia 😔😔😔
2025-11-25 15:04:53
0
medusa6642
medusa :
δεν έγινε ποτέ
2025-11-25 12:07:47
0
aris4547
aris :
το κάψατε τέλειος 😂😂😂
2025-11-25 13:57:54
0
panosgiotis95
PANOSGIOTIS :
ΜΙΖΑ ΠΑΛΙ, ΜΙΖΑ ΠΑΛΙ, ΟΕ ,ΟΕ...
2025-11-25 09:20:16
0
teokouk
teokouk :
ΑΙ
2025-11-25 17:55:57
0
flos.nik
Akin aterolf :
Το δέντρο τι θα πάθει το δέντρο
2025-11-26 07:15:01
0
gavalas_44
gavalas_44 :
fake είναι
2025-11-25 11:06:51
0
marthamaniati
QUEEN 👑 :
😂
2025-11-29 06:35:35
0
user1814425785444
Χρηστος ΘΙΟΚΑΣ :
😂😂😂
2025-11-28 18:27:13
0
kwstas.tsoumas
Kwstas Tsoumas :
😏😏😏
2025-11-26 21:46:32
0
kwstelidis_s
KWSTELIDIS🧿 :
😁😁😁
2025-11-26 14:39:36
0
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🌟Maison Francis Kurkdjian Paris Oud Satin Mood🌟 Maison Francis Kurkdjian’s Oud Satin Mood, released in 2015 and composed by Francis Kurkdjian, is not merely a fragrance — it is a fabric you can smell, a texture you can feel without touching. Not the fleeting transparency of chiffon, not the rough comfort of wool, but satin: weighty enough to drape, smooth enough to seduce, and luminous enough to catch light in the quietest corners. From the first spray, it slips over you like a tailored garment that changes the way you stand, the way you breathe, the way the room receives you. It begins with the unmistakable union of Bulgarian damask rose and Turkish damask rose absolute. The Bulgarian rose opens first, its brightness honeyed and golden, a living bloom kissed by sunlight. The Turkish rose follows closely, darker, deeper, with a jammy richness that feels decadent — like crimson velvet pressed between the pages of a leather-bound book. The two do not fight for attention; they move together in perfect tempo, shifting between radiance and shadow, like satin folds turning under candlelight. Then comes the violet, drifting in quietly, a delicate haze that smooths the roses’ edges until they lose their rawness and become silk to the senses. It is neither candied nor overly powdery — just a fine, gossamer veil, diffusing the florals into something impossibly polished. Beneath them, the warmth of Siam benzoin begins to rise, resinous and golden-brown, carrying a faint caramel glow that softens the space between the floral brightness and the shadows to come. And then, the oud. Laotian oud, rich and grounded, appears without a dramatic entrance. This is not the wild, animalic oud of fearsome reputation. It is refined, confident, and smooth, carrying the depth of dark wood polished by time and touch. It moves through the composition like a dark satin ribbon threading its way around the roses and benzoin, binding them in quiet luxury. It does not dominate — it shapes, sculpts, and deepens. As the scent moves further into its journey, vanilla begins to unfurl. Not the playful sweetness of desserts, but a molten, creamy smoothness that feels warm against skin, softening every sharper edge. Amber glows beneath it, a golden ember that radiates through the fabric of the scent, lending it both comfort and grandeur. The interplay between these notes creates the impression of silk in motion — light catching on folds, shadows pooling where the fabric bends. From the moment it touches skin, Oud Satin Mood carries a steady, confident projection. In the first hours, it announces itself with elegance, moving ahead of you by several paces, leaving a trail that is impossible to mistake. People will catch it in the air as you pass, and long after you leave, it lingers, a phantom presence in the room. As time passes, it draws closer to the skin, but never loses its pull; even at the tenth hour, it blooms again with each movement. On fabric, it is near immortal — clinging for days, holding the memory of the night it was worn. The sillage is not aggressive, but commanding in its subtlety — the kind of trail that makes people turn their heads without quite knowing why. This is not a scent for blending into the background. It is for evenings when you want to be remembered, for moments that deserve the full weight of presence. Wearing it feels like being draped in something both protective and revealing — satin that shields the body while amplifying the soul. It is a love story between rose and oud, but told with refinement, not drama; every note carefully placed, every movement intentional. #mfk #maisonfranciskurkdjian #oudsatimood #oudperfume #luxuryfragrance #oudandrose #nicheperfume #fragrancetok #perfumetiktok #perfumereview #scentsation #fragrancecollection #fragranceblogger #perfumejourney #luxurylifestyle #fragranceaddict #perfumeobsessed #perfume
🌟Maison Francis Kurkdjian Paris Oud Satin Mood🌟 Maison Francis Kurkdjian’s Oud Satin Mood, released in 2015 and composed by Francis Kurkdjian, is not merely a fragrance — it is a fabric you can smell, a texture you can feel without touching. Not the fleeting transparency of chiffon, not the rough comfort of wool, but satin: weighty enough to drape, smooth enough to seduce, and luminous enough to catch light in the quietest corners. From the first spray, it slips over you like a tailored garment that changes the way you stand, the way you breathe, the way the room receives you. It begins with the unmistakable union of Bulgarian damask rose and Turkish damask rose absolute. The Bulgarian rose opens first, its brightness honeyed and golden, a living bloom kissed by sunlight. The Turkish rose follows closely, darker, deeper, with a jammy richness that feels decadent — like crimson velvet pressed between the pages of a leather-bound book. The two do not fight for attention; they move together in perfect tempo, shifting between radiance and shadow, like satin folds turning under candlelight. Then comes the violet, drifting in quietly, a delicate haze that smooths the roses’ edges until they lose their rawness and become silk to the senses. It is neither candied nor overly powdery — just a fine, gossamer veil, diffusing the florals into something impossibly polished. Beneath them, the warmth of Siam benzoin begins to rise, resinous and golden-brown, carrying a faint caramel glow that softens the space between the floral brightness and the shadows to come. And then, the oud. Laotian oud, rich and grounded, appears without a dramatic entrance. This is not the wild, animalic oud of fearsome reputation. It is refined, confident, and smooth, carrying the depth of dark wood polished by time and touch. It moves through the composition like a dark satin ribbon threading its way around the roses and benzoin, binding them in quiet luxury. It does not dominate — it shapes, sculpts, and deepens. As the scent moves further into its journey, vanilla begins to unfurl. Not the playful sweetness of desserts, but a molten, creamy smoothness that feels warm against skin, softening every sharper edge. Amber glows beneath it, a golden ember that radiates through the fabric of the scent, lending it both comfort and grandeur. The interplay between these notes creates the impression of silk in motion — light catching on folds, shadows pooling where the fabric bends. From the moment it touches skin, Oud Satin Mood carries a steady, confident projection. In the first hours, it announces itself with elegance, moving ahead of you by several paces, leaving a trail that is impossible to mistake. People will catch it in the air as you pass, and long after you leave, it lingers, a phantom presence in the room. As time passes, it draws closer to the skin, but never loses its pull; even at the tenth hour, it blooms again with each movement. On fabric, it is near immortal — clinging for days, holding the memory of the night it was worn. The sillage is not aggressive, but commanding in its subtlety — the kind of trail that makes people turn their heads without quite knowing why. This is not a scent for blending into the background. It is for evenings when you want to be remembered, for moments that deserve the full weight of presence. Wearing it feels like being draped in something both protective and revealing — satin that shields the body while amplifying the soul. It is a love story between rose and oud, but told with refinement, not drama; every note carefully placed, every movement intentional. #mfk #maisonfranciskurkdjian #oudsatimood #oudperfume #luxuryfragrance #oudandrose #nicheperfume #fragrancetok #perfumetiktok #perfumereview #scentsation #fragrancecollection #fragranceblogger #perfumejourney #luxurylifestyle #fragranceaddict #perfumeobsessed #perfume

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