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ᥫᩣѕυy мộт cнúт౨ৎ
ᥫᩣѕυy мộт cнúт౨ৎ
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Region: KR
Wednesday 03 December 2025 17:05:52 GMT
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siul893
SiêuLì :
Thăn kiu 😍
2025-12-03 22:45:01
4
nghia.nghia9999
Nghia Nghia9999 :
ms hôm qua còn có người để gửi video như thế này hôm nay thì... haizz☺️
2025-12-03 23:13:11
5
thuyloan9938
TL :
da ngủ ngoan nho cục vàng e x la🥰
2025-12-03 17:20:30
3
l.thun787
🍓 Lê Thuận 🍓 :
Có ngủ ngoan nha. Cảm ơn trai đẹp nhiều ha 💗💗💗
2025-12-03 17:10:06
0
trinh.ruma
Trinh Ruma :
cảm ơn đã nghĩ đến tôi
2025-12-04 00:33:42
2
au88thienduong12
au88 phát tài :
Đang buồn còn nghe
2025-12-04 05:28:52
1
nhi.be123
Nhí Be@123 :
ngủ chẳng ngon gì hết
2025-12-04 00:53:26
2
t.phng3798
Tô Phượng :
Ko ngủ ngon đang nhớ một người mập mờ trong bí ẩn quyền bí
2025-12-04 00:53:05
2
kkk475660
kkk :
anh cũng chúc em boyuovay
2025-12-03 20:28:59
3
angelinus39
Nhật Lê@ :
thiệt là biết nịnh quá 🤣
2025-12-04 02:07:30
2
liquenjin
Chú 7 :
"cục zàng nào của m?" 🤡
2025-12-04 00:19:50
3
nguynthe616
nguynthe616 :
Xin cảm ơn Ít sóng thì tạm duoc
2025-12-03 22:55:21
3
van.hau.dang5
Van Hau Dang :
ok
2025-12-03 23:36:35
1
au88.tuyt.vi
Au88 tuyệt vời :
nay không ai chúc buồn thấy tus này ấm lòng hẳn 😳
2025-12-04 05:47:20
1
nguyn.th.ngc.ip94
Nhựt Huỳnh :
ngủ hết nổi
2025-12-04 07:28:00
1
gnuduytin
hung :
@satoru át🌹🥂
2025-12-03 22:18:09
5
h.trn.vo
21th11 :
@KemChảy୭୨୧anb chúc cục zangg của anh buổi sáng thật vui vẻ và có thật nhiều niềm vui nhé thương cục zangg của anh nhiều 🥰
2025-12-03 20:43:02
5
1235567kiet
SUJUHUKU-KIET♠️♣️ :
@💢️ϐׁׅ֒ảᨵׁׅ ᨮ꫶ׁׅ֮ếꪀׁׅ✨
2025-12-03 23:19:01
3
tranghichu
Trangg thy chuu :
@Lù A Dũng 🥰
2025-12-03 23:40:02
4
huynhnhien24111
Huỳnh Nhiên :
@🇻🇳 𝓝𝓰𝓾𝔂ễ𝓷 𝓐𝓱𝓲 🇹🇼
2025-12-03 22:27:17
4
han.62zz
Han nhỏ :
@Vân Vân👾 🫶
2025-12-04 00:23:49
4
nhut62_
🎀Nhựt Báo 105X🐉 :
@🎀 🥰🥰🤭
2025-12-04 00:21:16
4
thuylinh201306
Thùy Linh ❤️ :
@Rin 🏳️‍🌈🎀
2025-12-04 02:00:33
3
ahloi03
Lợii 2006 ❤️ :
@Thu Trang🏐 🥰❤
2025-12-04 01:28:16
4
trong24.10
Trọng :
@Như Ý mãi iu cục dàng to bự ạ❤😘🤭
2025-12-03 22:55:48
4
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🌟Maison Francis Kurkdjian Paris Oud Satin Mood🌟 Maison Francis Kurkdjian’s Oud Satin Mood, released in 2015 and composed by Francis Kurkdjian, is not merely a fragrance — it is a fabric you can smell, a texture you can feel without touching. Not the fleeting transparency of chiffon, not the rough comfort of wool, but satin: weighty enough to drape, smooth enough to seduce, and luminous enough to catch light in the quietest corners. From the first spray, it slips over you like a tailored garment that changes the way you stand, the way you breathe, the way the room receives you. It begins with the unmistakable union of Bulgarian damask rose and Turkish damask rose absolute. The Bulgarian rose opens first, its brightness honeyed and golden, a living bloom kissed by sunlight. The Turkish rose follows closely, darker, deeper, with a jammy richness that feels decadent — like crimson velvet pressed between the pages of a leather-bound book. The two do not fight for attention; they move together in perfect tempo, shifting between radiance and shadow, like satin folds turning under candlelight. Then comes the violet, drifting in quietly, a delicate haze that smooths the roses’ edges until they lose their rawness and become silk to the senses. It is neither candied nor overly powdery — just a fine, gossamer veil, diffusing the florals into something impossibly polished. Beneath them, the warmth of Siam benzoin begins to rise, resinous and golden-brown, carrying a faint caramel glow that softens the space between the floral brightness and the shadows to come. And then, the oud. Laotian oud, rich and grounded, appears without a dramatic entrance. This is not the wild, animalic oud of fearsome reputation. It is refined, confident, and smooth, carrying the depth of dark wood polished by time and touch. It moves through the composition like a dark satin ribbon threading its way around the roses and benzoin, binding them in quiet luxury. It does not dominate — it shapes, sculpts, and deepens. As the scent moves further into its journey, vanilla begins to unfurl. Not the playful sweetness of desserts, but a molten, creamy smoothness that feels warm against skin, softening every sharper edge. Amber glows beneath it, a golden ember that radiates through the fabric of the scent, lending it both comfort and grandeur. The interplay between these notes creates the impression of silk in motion — light catching on folds, shadows pooling where the fabric bends. From the moment it touches skin, Oud Satin Mood carries a steady, confident projection. In the first hours, it announces itself with elegance, moving ahead of you by several paces, leaving a trail that is impossible to mistake. People will catch it in the air as you pass, and long after you leave, it lingers, a phantom presence in the room. As time passes, it draws closer to the skin, but never loses its pull; even at the tenth hour, it blooms again with each movement. On fabric, it is near immortal — clinging for days, holding the memory of the night it was worn. The sillage is not aggressive, but commanding in its subtlety — the kind of trail that makes people turn their heads without quite knowing why. This is not a scent for blending into the background. It is for evenings when you want to be remembered, for moments that deserve the full weight of presence. Wearing it feels like being draped in something both protective and revealing — satin that shields the body while amplifying the soul. It is a love story between rose and oud, but told with refinement, not drama; every note carefully placed, every movement intentional. #mfk #maisonfranciskurkdjian #oudsatimood #oudperfume #luxuryfragrance #oudandrose #nicheperfume #fragrancetok #perfumetiktok #perfumereview #scentsation #fragrancecollection #fragranceblogger #perfumejourney #luxurylifestyle #fragranceaddict #perfumeobsessed #perfume
🌟Maison Francis Kurkdjian Paris Oud Satin Mood🌟 Maison Francis Kurkdjian’s Oud Satin Mood, released in 2015 and composed by Francis Kurkdjian, is not merely a fragrance — it is a fabric you can smell, a texture you can feel without touching. Not the fleeting transparency of chiffon, not the rough comfort of wool, but satin: weighty enough to drape, smooth enough to seduce, and luminous enough to catch light in the quietest corners. From the first spray, it slips over you like a tailored garment that changes the way you stand, the way you breathe, the way the room receives you. It begins with the unmistakable union of Bulgarian damask rose and Turkish damask rose absolute. The Bulgarian rose opens first, its brightness honeyed and golden, a living bloom kissed by sunlight. The Turkish rose follows closely, darker, deeper, with a jammy richness that feels decadent — like crimson velvet pressed between the pages of a leather-bound book. The two do not fight for attention; they move together in perfect tempo, shifting between radiance and shadow, like satin folds turning under candlelight. Then comes the violet, drifting in quietly, a delicate haze that smooths the roses’ edges until they lose their rawness and become silk to the senses. It is neither candied nor overly powdery — just a fine, gossamer veil, diffusing the florals into something impossibly polished. Beneath them, the warmth of Siam benzoin begins to rise, resinous and golden-brown, carrying a faint caramel glow that softens the space between the floral brightness and the shadows to come. And then, the oud. Laotian oud, rich and grounded, appears without a dramatic entrance. This is not the wild, animalic oud of fearsome reputation. It is refined, confident, and smooth, carrying the depth of dark wood polished by time and touch. It moves through the composition like a dark satin ribbon threading its way around the roses and benzoin, binding them in quiet luxury. It does not dominate — it shapes, sculpts, and deepens. As the scent moves further into its journey, vanilla begins to unfurl. Not the playful sweetness of desserts, but a molten, creamy smoothness that feels warm against skin, softening every sharper edge. Amber glows beneath it, a golden ember that radiates through the fabric of the scent, lending it both comfort and grandeur. The interplay between these notes creates the impression of silk in motion — light catching on folds, shadows pooling where the fabric bends. From the moment it touches skin, Oud Satin Mood carries a steady, confident projection. In the first hours, it announces itself with elegance, moving ahead of you by several paces, leaving a trail that is impossible to mistake. People will catch it in the air as you pass, and long after you leave, it lingers, a phantom presence in the room. As time passes, it draws closer to the skin, but never loses its pull; even at the tenth hour, it blooms again with each movement. On fabric, it is near immortal — clinging for days, holding the memory of the night it was worn. The sillage is not aggressive, but commanding in its subtlety — the kind of trail that makes people turn their heads without quite knowing why. This is not a scent for blending into the background. It is for evenings when you want to be remembered, for moments that deserve the full weight of presence. Wearing it feels like being draped in something both protective and revealing — satin that shields the body while amplifying the soul. It is a love story between rose and oud, but told with refinement, not drama; every note carefully placed, every movement intentional. #mfk #maisonfranciskurkdjian #oudsatimood #oudperfume #luxuryfragrance #oudandrose #nicheperfume #fragrancetok #perfumetiktok #perfumereview #scentsation #fragrancecollection #fragranceblogger #perfumejourney #luxurylifestyle #fragranceaddict #perfumeobsessed #perfume

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